Thursday 31 Jul

Sobering sounds

Copperheads with Depth & Current, Dudes of America and Oblivious

10 p.m. Saturday


113 N. Crawford Ave., Norman



07/30/2014 | Comments 0

Pony expression

Wild Ponies

8 p.m. Sunday

The Blue Door

2805 N. McKinley Ave.



07/30/2014 | Comments 0

Music Made Me: Josh Hogsett

Few, if any, Oklahoma bands have seen a rise as meteoric as Tallows over the past year, yet its seemingly overnight ascension didn’t happen by chance. The Oklahoma City four-piece is well-versed in the ways of modern pop songwriting, drawing from both glitchy electronica and cathartic indie rock in equal measure. Last year, the band pulled off a rare musical feat with its debut album, Memory Marrow, which was steeped heavily in the breadth of recent history yet managed to sound like nothing else before it.
07/30/2014 | Comments 0

Planting the seed

Chelsey Cope’s new band, Elms, is as earthy and native to Oklahoma as the trees that are their namesake. The soulful folk four-piece’s debut EP, Parallel Lines, was recorded at Bell Labs Recording Studio in Norman and is on its way in September. But the band has already given us a tease, with its first single, “Burn,” going live on SoundCloud on July 14.
07/22/2014 | Comments 0

Commercial rock

Center of the Universe Festival featuring Capital Cities, Young The Giant, AWOLNATION & more
Downtown Tulsa 

07/22/2014 | Comments 0
Home · Articles · Reviews · Hip Hop/Rap · Lady Sovereign-Public...
Hip Hop/Rap

Lady Sovereign-Public Warning

None November 30th, 2006


Def Jam

Lady Sovereign (Lady Sov if you're nasty; Louise Harman if you're her parents) arrives on American shores behind a mountain of hype taller than she is. Pint-sized but big-mouthed, this latest British hip-hop export is the newest face in Jay-Z's galaxy of petite female stars (oh, whither Rihanna?)' a foul, verbally agile hybrid marrying the hostile intensity of fellow grime star Dizzee Rascal with the playful vulgarity of Eminem.
Blogs and music mags have been salivating over Lady Sovereign ever since her impressive appearances on 2005's "Run the Road" compilation and her debut EP, "Vertically Challenged." The slick, flashy facade that renders tracks like the predictable "Love Me or Hate Me" and the bland title cut seemingly hollow detracts from the obvious skill of the self-proclaimed "biggest midget in the game," making "Public Warning" less of an instant classic and more of a promise of things to come.
- Preston Jones

  • Currently 3.5/5 Stars.
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