Thursday 20 Jun
 
 

Superior sound

Em and the MotherSuperiors with Honeylark and Feathered Rabbit
10 p.m. Friday
Kamps 1310 Lounge
1310 N.W. 25th
kamps1310lounge.com
819-6004
$7

06/19/2013 | Comments 0

It might get loud

Okie Noise Fest 2 with Psychotic Reaction, Copperheads, Fire Bad! and more
3 p.m.-midnight Saturday
Bad Granny’s Bazaar
1759 N.W. 16th
free
06/19/2013 | Comments 0

Fox news

Foxtrot Uniform with Them Hounds
9 p.m. Friday
Blue Note Lounge
2408 N. Robinson
thebluenotelounge.com
600-1166
$5

Foxtrot Uniform with Quaker City Night Hawks
9 p.m. Saturday
Grady’s 66 Pub
444 W. Main, Yukon
gradys66.com
364-8789
$7
06/19/2013 | Comments 0

Sweet slumber

The technology boom of the last two decades has made life easier in a variety of ways. In the music world, widespread computer use has spawned a modern-day compositional renaissance.
06/19/2013 | Comments 0

Beau bridges

Beau Mansfield Trio
10 p.m. Saturday
The Bluebonnet Bar
321 E. Main, Norman
447-2480
06/19/2013 | Comments 0
Home · Articles · CDs · Electronica · Juno Reactor - Gods &...
Electronica

Juno Reactor - Gods & Monsters


None June 5th, 2008

junoreactor

Metropolis

To listen to a Juno Reactor album is to be transported to an intergalactic space station where astronauts drink not Tang, but Red Bull. The brain child of Ben Watkins, the electronica act has specialized in high-energy, jungle-rhythm trance for nearly 20 years. Although not a household name, Juno Reactor has been a pioneer in modern electronic music, straddling the space between the dance floor and the mind scape. (If you've seen any of the "Matrix" movies, you've no doubt tripped out to at least one of the group's tunes.)

"Gods & Monsters" marks the seventh full-length explosion from the Reactor, and it sounds a lot like previous efforts: a little loopy, a lot of South American influence; whether this strikes you as a carbon copy or comfort food depends on your tolerance level. I happen to dig it.

The deep female vocals that drive the opening tracks "Inca Steppa" and "Tokyo Dub" are seductive and slightly dangerous, while other cuts let crashing and clashing instruments do all the dirty work.

"”Rod Lott

 
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