Thursday 23 May
 
 

Iron Aidan

Aidan Carroll Quartet
7 p.m. Wednesday, May 29
University of Central Oklahoma Jazz Lab
100 E. Fifth, Edmond
ucojazzlab.com
359-7989
$5-$7
05/22/2013 | Comments 0

Beat street

Lucky Date with Kids at the Bar and Crystal Vision
9 p.m. Wednesday, May 29
Kamps 1310 Lounge
1310 N.W. 25th
kamps1310lounge.com
819-6004
$20
05/22/2013 | Comments 0

Sun rises

Sunny Side Up with The Last Slice and Classy San Diego
8 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$8
05/22/2013 | Comments 0

God bless metal

Becoming the Archetype with Bermuda, The Burial, Horror Cosmic and Veil of Suffering
6 p.m. Saturday
The Conservatory
8911 N. Western
conservatoryokc.com
607-4805
$12-$14
05/15/2013 | Comments 0

Here for the party

Gretchen Wilson with Outlaw Son
6 p.m. Thursday
Newcastle Casino
2457 U.S. 62, Newcastle
mynewcastlecasino.com
387-6013
free
05/15/2013 | Comments 0
Home · Articles · CDs · Country · Glen Campbell — Greatest Hits
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Glen Campbell — Greatest Hits


Rod Lott February 19th, 2009

 

As far as I'm concerned, with his recent comeback album, Glen Campbell has washed the has-been taint of Branson from his reputation. Now, a 16-track collection of his "Greatest Hits" reminds us why we ever loved him in the first place. These songs hold up, sounding very much of their time, yet timeless as well.


His monster '70s country-rock hit "Rhinestone Cowboy" has become somewhat of a punch line, but a fresh listen reveals a still-infectious melody. But it doesn't compare to the standards written by Jimmy Webb: "Wichita Lineman" and "By the Time I Get to Phoenix," which are remarkably dark for tunes unfairly pegged as "easy listening." They're utterly sublime, as is a new-to-me "Dreams of the Everyday Housewife," which sounds positively Bacharachian in its bittersweet way.


Two tracks from the aforementioned comeback disc close out this superb anthology: "Times Like These" and "These Days," which cover Foo Fighters and Jackson Browne, respectively. The only disappointment is that Campbell's version of Travis' "Sing" wasn't also included, because it's the one that boldly showed he still can. —Rod Lott


 
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