Tuesday 22 Jul
 
 

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
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Music
 

Stillwater country band No Justice set to storm Bricktown


Tory Troutman August 30th, 2007

Stillwater's rowdy five-piece No Justice will play the Wormy Dog Saloon, on Wednesday, Sept. 5, in Bricktown " the band's second show in a three-day home stand. The band also will play Okemah's Red ...

NoJustice

Stillwater's rowdy five-piece No Justice will play the Wormy Dog Saloon, on Wednesday, Sept. 5, in Bricktown " the band's second show in a three-day home stand.

The band also will play Okemah's Red Dirt Harvest Festival on Labor Day weekend before heading back to Texas. Then, it's back home to Stillwater to showcase the disc at Tumbleweeds on Sept. 8.

The group is a little louder and funkier than one's average red dirt band, blurring the line between country and rock, and a bar is the best place to hear what it does. The six-year-old band constantly barnstorms the Midwest, and the red dirt-centric Wormy Dog is a regular stop.

"We normally sell that place out every time we play there," Payne said. The band has been labeled "country music greats" by the Shreveport Times, so the long nights and roadwork must be paying off.

Opening the show will be Norman's Mama Sweet, a decidedly less-country-influenced band basking in the glow of its debut disc, "Welcome to the Well," which marries Nineties-era Hootie & the Blowfish semi-country to plus-size Pearl Jam-style rock. "Tory Troutman

 
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