Friday 18 Apr
 
 

Holy Ghost People

Holy Ghost People examines two sisters whose bond is torn — but by what? After her sibling has been missing for more than a year, Charlotte (Emma Greenwell, TV's Shameless) intends to find out.
04/15/2014 | Comments 0

No Holds Barred

RLJ Entertainment's new Blu-ray for No Holds Barred begins with what seems like dozens of trailers for movies starring pro wrestlers from the WWE talent pool. Each flick went direct to home video, but once upon a time — aka 1989 — one had to go to the multiplex to catch such a spectacle.
04/15/2014 | Comments 0

Knights of Badassdom

In 2008, the third act of the guy comedy Role Models used LARPing — live-action role-playing, that is — as a backdrop for our protagonists' lessons learned. Today, Knights of Badassdom extends that half-hour into a full feature, to the point where viewers are left not smiling, but exhausted. 
04/02/2014 | Comments 0

Switched on

Not everything on television has to appeal to mass audiences. In fact, with the further fractioning of viewership thanks to alternatives like Netflix and VOD, more series can afford to become more niche. Here are five examples of shows both past and present — and new to DVD and/or Blu-ray — that encompass some of the more outrageous ideas ever to go beyond boardroom discussion.
04/02/2014 | Comments 0

Confession of Murder

Seventeen years after slaying 10 women and getting away with it, the charismatic serial killer Du-sok (Park Si-hoo) comes clean with a Confession of Murder, in this 2012 South Korean crime thriller. He does so by publishing a book that dishes all the grisly details.
04/02/2014 | Comments 0
Home · Articles · Movies · Comedy · Kick-Ass
Comedy
 

Kick-Ass


None April 22nd, 2010

2010_kick-ass_004
er and a former cop who now dresses like Batman and affects Adam West's pause-prone diction once behind the cowl.

The more, the merrier, because the town is under siege by a drug kingpin (Mark Strong, "Sherlock Holmes") who doesn't like that his cronies are being picked off by costumed vigilantes.

Much has been made over the Hit-Girl character's potty mouth and murderous tendencies, which is kind of a shame, because it detracts from the fact that this is Moretz's breakthrough. Just as the character steals the book, she steals the movie, leaving leading-man Johnson in the dust. Even with her pigtails and sideways smile, she's believable as a pint-sized lethal weapon. In the graphic novel, written by Mark Millar ("Wanted") and illustrated by John Romita Jr., she's hilariously described by Dave as "like John Rambo meets Polly Pocket. Dakota Fanning crossed with 'Death Wish 4.'"

Although the film closely follows Millar's text until the third act, one wishes it retained more of its acid wit. For all of its absurd situations, "Kick-Ass" isn't that funny. Part of that is by design: It purposely turns dark toward the end to pull the proverbial rug from underneath your feet, but the comedic sequences don't carry much actual comedy. Instead, director/co-writer Matthew Vaughn ("Stardust") literally lets the punches be the punch lines, so if the sight of people being pummeled is funny to you, prepare to bust a gut.

I didn't dislike "Kick-Ass." With the strong caveat that it's not for everyone "” kids especially "” it offers something other than your average superhero movie, even if, like "Shaun of the Dead," it ultimately becomes the very thing it parodies. Just as Millar's "what if?" plot took a satirical look at the genre, so does Vaughn, in a film whose look alternates between Day-Glo and overexposed. But once more, the book is better "” and filthier "” than the movie. "”Rod Lott
 
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