Wednesday 19 Jun
 
 

Ninja III: The Domination

Don't ask why Ninja III: The Domination begins with a ninja assault on a municipal golf course. Just be grateful it does. You also may wonder why its sex scene employs a can of V8: Don't question it. Just lie back and enjoy it.
06/14/2013 | Comments 0

Lifeforce

Tobe Hooper got a raw deal. The director of horror hits The Texas Chain Saw Massacre and Poltergeist didn't deserve to be sent to movie jail for 1985's Lifeforce. It's a well-crafted, well-intentioned work that was mismarketed and misunderstood, losing a bundle of money and soon sending Hooper into the lands of episodic television and direct-to-video features.
06/14/2013 | Comments 0

Dead Souls

With Dead Souls, we can prove something about the Chiller cable network's original features that Remains could not: Source material is not to blame for their pervasive generic nature — it's the economy, stupid.
06/11/2013 | Comments 0

The Philadelphia Experiment

There's a theory about remakes that perhaps Hollywood should stop remaking good movies and instead remake the bad ones, so that they may be improved. The problem with that theory is one runs the risk of the remake being bad, too. Case in point: The Philadelphia Experiment.
06/12/2013 | Comments 0

Hansel & Gretel: Witch Hunters

A few surprising things about Hansel & Gretel: Witch Hunters:
• It comes from MTV Films,
• is produced by Will Ferrell,
• and is as fun as its title is dumb.
06/11/2013 | Comments 0
Home · Articles · Movies · Drama · Feel the Noise
Drama

Feel the Noise


None October 11th, 2007

feelthenoise

Reviewer's grade: C

 

If you know what the musical style called "reggaeton" is and like it, this picture is full of it. It's a blend of Caribbean, Latin and hip-hop rhythms, and it's pretty bouncy stuff that goes well with sinuous dance moves, with which the picture is also well-endowed.

 

The film's plot is ancient: Right after Sophocles scored a hit with "Oedipus Rex," he wrote a script about a kid who discovers his best self by becoming a songwriter, befriending another budding musician, defending his artistic vision, meeting a girl, losing the girl and getting the girl back again. I can hear that ancient Greek producer now: "Sophie, you'll kill 'em. It'll run forever."

 

A pleasant cast of mostly unknowns and TV veterans don't have much trouble selling this one to young people who like the music and haven't grown old seeing a million variations on the basic story. For everyone else, well, maybe not. PG-13

 

 "”Doug Bentin 

 

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