Tuesday 18 Jun
 
 

Ninja III: The Domination

Don't ask why Ninja III: The Domination begins with a ninja assault on a municipal golf course. Just be grateful it does. You also may wonder why its sex scene employs a can of V8: Don't question it. Just lie back and enjoy it.
06/14/2013 | Comments 0

Lifeforce

Tobe Hooper got a raw deal. The director of horror hits The Texas Chain Saw Massacre and Poltergeist didn't deserve to be sent to movie jail for 1985's Lifeforce. It's a well-crafted, well-intentioned work that was mismarketed and misunderstood, losing a bundle of money and soon sending Hooper into the lands of episodic television and direct-to-video features.
06/14/2013 | Comments 0

Dead Souls

With Dead Souls, we can prove something about the Chiller cable network's original features that Remains could not: Source material is not to blame for their pervasive generic nature — it's the economy, stupid.
06/11/2013 | Comments 0

The Philadelphia Experiment

There's a theory about remakes that perhaps Hollywood should stop remaking good movies and instead remake the bad ones, so that they may be improved. The problem with that theory is one runs the risk of the remake being bad, too. Case in point: The Philadelphia Experiment.
06/12/2013 | Comments 0

Hansel & Gretel: Witch Hunters

A few surprising things about Hansel & Gretel: Witch Hunters:
• It comes from MTV Films,
• is produced by Will Ferrell,
• and is as fun as its title is dumb.
06/11/2013 | Comments 0
Home · Articles · Movies · Drama · How She Move
Drama

How She Move


None January 31st, 2008

howshemove

Reviewer's grade: C

It's another retelling of the story about a poor kid trying to improve her life by rising in society through a good education, which is not a bad message. Raya Green (newcomer Rutina Wesley) wants to win a steppin' contest so she can use her share of the prize money to pay for a private prep school. As she finds a crew to join, she has to combat the memory of her drug-addicted older sister's death, the challenge of rival dance teams, and romantic complications.

 

Sure, you've seen movies like this dozens of times, but the younger audience hasn't, and maybe some of them need to. Director Ian Iqbal Rashid keeps the story moving along and the dance numbers are pretty spectacular. You may not appreciate them as dance, but like me, you won't be able to deny the athleticism they require. Annmarie Morais' script is functional, but, like a folk tale, that's all it has to be. PG-13

 

"”Doug Bentin 

 
  • Currently 3.5/5 Stars.
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