Wednesday 23 Jul

Escape from Tomorrow

With Escape from Tomorrow, one fears the story behind the movie would loom larger than the movie itself. Luckily, that is not the case. After all, it opens with a decapitation on Disney World’s Big Thunder Mountain Railroad roller coaster.
05/06/2014 | Comments 0


William Friedkin spends a lot of time in his 2013 memoir discussing why Sorcerer didn't click with critics and audiences even though he believes it to be better than his previous film, The Exorcist. Now that Warner Home Video has reissued Sorcerer on Blu-ray, we can see what Friedkin's fuss is all about.
04/23/2014 | Comments 0

Broadchurch: The Complete First Season

Welcome to the coastal resort of Broadchurch, population … oh, who can keep track, what will all the corpses? Yes, Broadchurch is yet another British television procedural involving the search for a murderer in a quaint little town, just like the limited series The Fall and Top of the Lake.
04/23/2014 | Comments 0

Paranormal Activity: The Marked Ones

Essentially part five in the ridiculously profitable horror franchise, Paranormal Activity: The Marked Ones continues the found-footage conceit of the other films. The difference is instead of the scares taking place in rich white suburbia, they do so in a junky apartment complex on a largely Latino side of Oxnard, Calif.
04/23/2014 | Comments 0

Holy Ghost People

Holy Ghost People examines two sisters whose bond is torn — but by what? After her sibling has been missing for more than a year, Charlotte (Emma Greenwell, TV's Shameless) intends to find out.
04/15/2014 | Comments 0
Home · Articles · Movies · Drama · Ashes of Time Redux

Ashes of Time Redux

None December 18th, 2008

ough the seasons of one year, each one bringing a different story of woe or revenge.

In one, Brigitte Lin ("Chungking Express") plays a brother and sister, Murong Yin and Murong Yang. The brother wants a man killed who promised to marry the sister, but then abandoned her, and the sister wants her brother killed because he is too possessive.

Feng also tells us about a stranger who comes out of the East and visits him every year. One year he brings a bottle of magic wine as a gift for Feng from someone he won't identify. The film moves in and out of its stories until we learn from whom the wine came and the cruelty of its real property.

The trick to following all this, especially for audiences who are used to the straightforward linear, classical Hollywood way of telling a story, is to not worry too much about plot points. The mysterious, foreboding imagery and intensity of the acting are constant reminders that all is not as it seems. There is never a chance that giddy happiness is going to break out and you don't need to understand Cantonese or Mandarin to get it. And by the movie's conclusion, you will know that you have overheard a meditation on loss, regret and the cruelty of memory.

The director is above all a memorable stylist, making striking use of color, stillness and the human face. There are quick moments of martial arts action, choreographed by the great Sammo Hung (TV's "Martial Law"), but this is not Jackie Chan stuff. This is a dream of martial arts with blurred images and nearly unintelligible action.

Forgive me if this sounds snobbish "” something I am not usually accused of being "” but this is a movie that's for cineastes and not casual moviegoers. Of course, anyone can watch it, but each type of person is likely to remember it for entirely different reasons.

"”Doug Bentin

  • Currently 3.5/5 Stars.
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