Thursday 24 Jul

Escape from Tomorrow

With Escape from Tomorrow, one fears the story behind the movie would loom larger than the movie itself. Luckily, that is not the case. After all, it opens with a decapitation on Disney World’s Big Thunder Mountain Railroad roller coaster.
05/06/2014 | Comments 0


William Friedkin spends a lot of time in his 2013 memoir discussing why Sorcerer didn't click with critics and audiences even though he believes it to be better than his previous film, The Exorcist. Now that Warner Home Video has reissued Sorcerer on Blu-ray, we can see what Friedkin's fuss is all about.
04/23/2014 | Comments 0

Broadchurch: The Complete First Season

Welcome to the coastal resort of Broadchurch, population … oh, who can keep track, what will all the corpses? Yes, Broadchurch is yet another British television procedural involving the search for a murderer in a quaint little town, just like the limited series The Fall and Top of the Lake.
04/23/2014 | Comments 0

Paranormal Activity: The Marked Ones

Essentially part five in the ridiculously profitable horror franchise, Paranormal Activity: The Marked Ones continues the found-footage conceit of the other films. The difference is instead of the scares taking place in rich white suburbia, they do so in a junky apartment complex on a largely Latino side of Oxnard, Calif.
04/23/2014 | Comments 0

Holy Ghost People

Holy Ghost People examines two sisters whose bond is torn — but by what? After her sibling has been missing for more than a year, Charlotte (Emma Greenwell, TV's Shameless) intends to find out.
04/15/2014 | Comments 0
Home · Articles · Movies · Comedy · The Savages

The Savages

None January 22nd, 2008


Reviewer's grade: B


Dad doesn't recognize his own children. Dad writes the word "prick" on the bathroom wall using his own finger and fecal matter. Dad still thinks it's acceptable to laugh at white men in blackface. In real life, this is the stuff of tragedy, but in "The Savages," it's all part of a recipe for levity.


Don't ask me how writer/director Tamara Jenkins does it, but her story of an estranged brother and sister (Philip Seymour Hoffman and Laura Linney) charged with the inevitable task of placing their abusive father in a retirement home transcends all its made-for-Lifetime elements to become a smart indie comedy.


You can cry if you want to, but Jenkins and company never try to wring that out of you; laughing, however, is another story, and it's perfectly acceptable to. In fact, they'd rather you did. Hoffman and Linney own this one; it's tough to imagine there being a movie here without them. R


"”Rod Lott


  • Currently 3.5/5 Stars.
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