Friday 25 Jul
 
 

Escape from Tomorrow

With Escape from Tomorrow, one fears the story behind the movie would loom larger than the movie itself. Luckily, that is not the case. After all, it opens with a decapitation on Disney World’s Big Thunder Mountain Railroad roller coaster.
05/06/2014 | Comments 0

Sorcerer

William Friedkin spends a lot of time in his 2013 memoir discussing why Sorcerer didn't click with critics and audiences even though he believes it to be better than his previous film, The Exorcist. Now that Warner Home Video has reissued Sorcerer on Blu-ray, we can see what Friedkin's fuss is all about.
04/23/2014 | Comments 0

Broadchurch: The Complete First Season

Welcome to the coastal resort of Broadchurch, population … oh, who can keep track, what will all the corpses? Yes, Broadchurch is yet another British television procedural involving the search for a murderer in a quaint little town, just like the limited series The Fall and Top of the Lake.
04/23/2014 | Comments 0

Paranormal Activity: The Marked Ones

Essentially part five in the ridiculously profitable horror franchise, Paranormal Activity: The Marked Ones continues the found-footage conceit of the other films. The difference is instead of the scares taking place in rich white suburbia, they do so in a junky apartment complex on a largely Latino side of Oxnard, Calif.
04/23/2014 | Comments 0

Holy Ghost People

Holy Ghost People examines two sisters whose bond is torn — but by what? After her sibling has been missing for more than a year, Charlotte (Emma Greenwell, TV's Shameless) intends to find out.
04/15/2014 | Comments 0
Home · Articles · Movies · Comedy · A Serious Man
Comedy
 

A Serious Man


Phil Bacharach November 5th, 2009

Larry Gopnik, the mild-mannered protagonist of Joel and Ethan Coens’ “A Serious Man,” is in a doozy of an existential crisis. It is a Minnesota suburb in 1967, but it’s no Summer of Love for Larry. His wife is leaving him for another man. He is being financially and psychologically squeezed by demanding, self-absorbed children. And just as Larry, who teaches physics at a Midwestern university, is on the cusp of receiving tenure, his colleagues begin getting anonymous letters that accuse him of awful things.

serious
Did I mention that “A Serious Man” is a comedy?

The rap on the Coen brothers (“No Country for Old Men,” “Burn After Reading”) has long been that they’re gifted filmmakers, but hobbled by a sadistic streak with their characters. That criticism is unlikely to be dispelled by "A Serious Man," a comedy so pitch-black, it might require a night-light. But in this contextually rich and deeply personal film, the Coens are surprisingly straightforward about their preoccupation with human suffering.


As portrayed by theater actor Michael Stuhlbarg ("Body of Lies"), Larry is a good-natured mensch suddenly under assault. His son (Aaron Wolff) is more worried about paying his pot dealer than preparing for his bar mitzvah. His daughter (Jessica McManus) is stealing money from him for a nose job. Larry's brother (Richard Kind, "The Visitor") sleeps on the couch and has no interest in finding a job.


PATRONIZING WIDOWER
Most painful of all, Larry's wife (Sari Lennick) announces she wants a divorce so she can marry Sy Ableman (Fred Melamed, "Hollywood Ending"), a patronizing widower. Larry's sole respite is a sexy neighbor (Amy Landecker, "Dan in Real Life") who sunbathes topless.


The filmmaking on display is meticulous, almost oppressively so. One gets the sense that every camera shot and actors' gesture are the result of painstaking deliberation. The Coens' penchant for perfectionism has been suffocating at times (think of the hermetically sealed "The Hudsucker Proxy") but here, such precision seems wholly appropriate, an approximation of Larry's growing fatalism.


Brilliant and uproariously funny, the movie earns a spot alongside such Coen classics as "Fargo," "The Big Lebowski" and "Barton Fink." But "A Serious Man" is more intimate —” not surprising given that the brothers grew up during the film's setting of 1960s Minnesota. It makes sense, then, that "A Serious Man" also achieves a remarkable sense of place and time. Every detail, no matter how seemingly innocuous, feels right.


It helps that the Coens have assembled a cast of terrific, largely unknown actors. Stuhlbarg has an affable humanity that keeps Larry from dissolving into parody. And if Melamed doesn't earn an Oscar nomination for his scene-stealing work, the United Nations needs to start monitoring the ballots.


Some viewers, I suspect, will size up "A Serious Man" as the product of moviemakers who see the universe as bleak, disorderly and scary. "Why does He make us feel the questions if He's not going to give us any answers?" asks an at-the-end-of-his-rope Larry.


But it seems to this reviewer that the Coens are suggesting that such answers are a little outside the pay grade of mere mortals. Perhaps the answers are everywhere, even in the lyrics of a Jefferson Airplane song.


Or perhaps not.


"You have to see these things as an expression of God's will," a rabbi tells Larry. "You don't have to like it." Thankfully, Joel and Ethan Coen know how to make futility a hell of a lot of fun. —Phil Bacharach

 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close