Friday 24 May
 
 
CD reviews

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

VOTD: It’s a JFJO two-fer!


Watch the state’s reigning alt-jazz act play FreeTulsa!

By Matt Carney October 10th, 2011

I don’t know who’s behind underthebelfry.com, but they’ve shot a couple of really terrific, multi-camera videos of Jacob Fred Jazz Odyssey’s FreeTulsa! performance, as well as other local bands Desi & Cody, Low Litas and the awesomely named Manhammer. I strongly recommend you jaunt over to their neck of the Internet woods and watch the beautiful stuff posted there.

I’d especially like to point out the pair of tracks from JFJO’s excellent, latest LP, “Race Riot Suite.” Watch “The Return” for a lengthy, impressive Chris Combs lap guitar solo, and “Grandfather’s Gun” for the signature raucous, high-energy performance you expect from the band.


 
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