Sunday 20 Apr
 
 
CD reviews

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
 

VOTD: Don’t call it a comeback.


’Cause it’s not.

By Matt Carney October 28th, 2011

The song’s new, but the band sure isn’t. In fact, when R.E.M. called it a day a few weeks ago, it was really just the beginning of the end, and in between those comes the release of “Part Lies, Part Heart, Part Truth, Part Garbage: 1982 - 2011,” a career-spanning, 40-song retrospective.

“We All Go Back to Where We Belong” is one of the album’s three new songs, and it’s so important that it gets two (!) weird, arty, overexposed, but nonetheless charming videos to go along with it. First up is my personally preferred version, which features Mary Jane Watson Kirsten Dunst who does about 98 percent of the acting here with her lips.

Next is acclaimed poet and activist John Giorno, who appears to suffer separate occurrences of minor brain damage throughout the video, which is lit and arranged exactly the same as Dunst’s. Weird. Good thing the song’s as pretty as anything the band’s ever recorded. The line about “tasting the ocean on your skin” really gets me. Watch both below:




 
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