The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.
And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.
“We All Go Back to Where We Belong” is one of the album’s three new songs, and it’s so important that it gets two (!) weird, arty, overexposed, but nonetheless charming videos to go along with it. First up is my personally preferred version, which features Mary Jane Watson Kirsten Dunst who does about 98 percent of the acting here with her lips.
Next is acclaimed poet and activist John Giorno, who appears to suffer
separate occurrences of minor brain damage throughout the video, which
is lit and arranged exactly the same as Dunst’s. Weird. Good thing the
song’s as pretty as anything the band’s ever recorded. The line about
“tasting the ocean on your skin” really gets me. Watch both below: