It has been a relatively rocky road for Weatherford alt-country outfit Green Corn Revival, which has seen its share of highs (acting as backing band for rockabilly icon Wanda Jackson) and lows before an (amicable) split in the road led half of the original lineup to forming Honeylark.
Oklahoma is quickly becoming the indie Christmas music capital of the world, it seems, with yearly compilation albums featuring everyone from Stardeath and White Dwarfs to Graham Colton. So it makes sense that Colourmusic — freak-poppers hailing from Stillwater — would craft a full album of original, offbeat holiday tunes themselves.
The Oklahoma City metro has a thriving garage rock scene. With seasoned acts like Broncho and Copperheads carrying the modern-day torch, the way has been paved for a flock of gritty, young, guitar-centric acts. But nascent Norman trio Poolboy has a knack for riotous hooks that few of its contemporaries can boast.
The Flaming Lips’ longevity has allowed them to cover a lot of sonic terrain over the years. Yet they’ve arguably become more adventurous with age, jeopardizing a good portion of their fan base in favor of fascinatingly bleak experiments in sound, beginning with Embryonic in 2009 and, more recently, The Terror.
“We All Go Back to Where We Belong” is one of the album’s three new songs, and it’s so important that it gets two (!) weird, arty, overexposed, but nonetheless charming videos to go along with it. First up is my personally preferred version, which features Mary Jane Watson Kirsten Dunst who does about 98 percent of the acting here with her lips.
Next is acclaimed poet and activist John Giorno, who appears to suffer
separate occurrences of minor brain damage throughout the video, which
is lit and arranged exactly the same as Dunst’s. Weird. Good thing the
song’s as pretty as anything the band’s ever recorded. The line about
“tasting the ocean on your skin” really gets me. Watch both below: