Sunday 19 May
 
 
DVD reviews

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0

Texas Chainsaw

One of the most inconsistent franchises in movie history is the one beget by Tobe Hooper's 1974 classic, The Texas Chain Saw Massacre. How does one follow all those less-than-beloved sequels? Lionsgate's latest in the series — the seventh — has a solution: Ignore 'em.
05/17/2013 | Comments 0

Captain America: Collector’s Edition

Not long after Batman changed Hollywood in the summer of 1989, every studio wanted to have the next comics-based blockbuster. I remember visiting Penn Square Mall’s multiplex (as I did often back then) and seeing a poster for Captain America. The one-sheet was comprised of little more than a close-up of Cap’s iconic shield and a promise to arrive next summer.
05/16/2013 | Comments 0

Dark Circles

With the Broken Lizard comedy troupe becoming increasingly broken, member Paul Soter has branched off to write and direct something about as far away as one can get from the likes of Super Troopers and Beerfest: a horror film. Now that I've seen it, I'm thinking maybe he should stay on his own.
05/16/2013 | Comments 0

Die! Die! My Darling!

File 1965's Die! Die! My Darling! under that now-dead subgenre dubbed "Grande Dame Guignol." The Hammer Films production may lack the dueling duo of two twilight-era titans of Whatever Happened to Baby Jane? and the others, but truth be told, Tallulah Bankhead is fierce enough to provide all the fire it needs.
05/14/2013 | Comments 0

Sterlin’s sterling work


Harjo to be honored with state film award Saturday.

By Rod Lott November 1st, 2011

Oklahoma City Museum of Art has a slew of interesting documentaries, both shorts and feature-length, lined up between Thursday and Saturday for its American Indian Cinema Showcase.

If you can attend only one night, why not Saturday, when the Oklahoma Film Critics Circle will honor state filmmaker Sterlin Harjo pictured with an award? Here are the full details in the form of a press release, complete with quotes of things I didn’t really say. (Oh, those PR peeps!) —Rod Lott

Oklahoma Film Critics Circle Honors Sterlin Harjo with Award for Achievement in Film
 
Oklahoma City, Nov. 1, 2011 — The Oklahoma Film Critics Circle has honored filmmaker Sterlin Harjo with the 2011 Tilghman Award celebrating achievement in cinema in the state.
 
The OFF will present Harjo with the Tilghman Award in a short ceremony Friday, Nov. 5, after a screening of his most recent works, a series of documentary shorts for Tulsa’s This Land Press. The screening, which begins at 5:30 p.m., will be at the Oklahoma City Museum of Art as part of the museum’s American Indian Cinema Showcase from Nov. 3 to Nov. 5.
 
Harjo, a 31-year-old member of the Seminole and Creek Nations, has earned international acclaim for films examining contemporary life of Native people. But his feature-length narratives – “Four Sheets to the Wind” in 2007 and “Barking Water” in 2009 – are emotionally rich motion pictures populated by complex characters.
 
“Sterlin’s films are invested with a humanity and depth of emotion that eludes many of his older, more experienced peers,” says OFCC President Rod Lott. “In a short period of time, Sterlin has really raised the bar for Oklahoma filmmakers. He more than deserves the Tilghman for his commitment to his art.”
 
OFCC’s 19 member critics choose as recipients of the award those individuals who have made significant contributions to film, advanced awareness of film in Oklahoma or highlighted Oklahoma as the home of talented and productive filmmakers, actors and others in the industry.
 
Raised in Holdenville and now living in Tulsa, Harjo began his filmmaking career while he was an art student at the University of Oklahoma. He credits a film class of Misha Nedeljkovich there with introducing him to the motion pictures of John Cassavetes and other independent-minded directors.
 
“It really opened my eyes to foreign films and independent films,” Harjo says. “He (Nedeljkovich) introduced me to all these different filmmakers and … the fact that you could make your own kind of film and it didn’t have to be like the stuff you see coming out of Hollywood.”
 
After launching into film, Harjo was selected to the Sundance Institute Filmmaker Lab. There he met producer Chad Burris, a Weatherford native, and the pair collaborated on a short film, “Goodnight Irene,” before tackling a larger project based on Harjo’s screenplay.
 
That resulting work, “Four Sheets to the Wind,” premiered at the 2007 Sundance Film Festival. The film tells the story of a young man named Cufe Smallhill (Cody Lightning) who goes to live with his troubled sister after the death of their father. The movie drew strong critical acclaim and earned a Sundance Special Jury Prize for Tamara Podemski, who portrayed Cufe’s sister. The actress later earned an Independent Spirit Award nomination for her performance.
 
In 2009, Harjo wrote and directed “Barking Water,” a haunting road film about a dying man and his ex-lover traveling across Oklahoma to visit the man’s estranged son. The movie also premiered at Sundance and has been screened around the world.
 
“I just don’t see myself making films about any other place,” Harjo says. “I mainly tell stories about contemporary Native people from specific tribes — usually Seminole and Creek — and the history of those tribes are that they were displaced from their homeland and put in Oklahoma. There’s a whole dynamic there that’s already created; it’s already complex, and it’s already going to influence my storytelling.”
 
Previous Tilghman Award recipients are documentary filmmaker Bradley Beeseley, Oklahoma City Museum of Art film curator Brian Hearn and Circle Cinema Foundation president Clark Wiens.
 
The Tilghman Award is named for William Matthew “Bill” Tilghman, widely credited with being the first individual to make a feature-length movie in what is now Oklahoma. He served as a deputy U.S. marshal and police chief in Oklahoma City, among other law-related positions. Tilghman also served as a state senator. In 1908, he made “A Bank Robbery,” which starred real-life bank robber Al Jennings recreating one of his crimes.
 
It was the first of several films Tilghman set in the state. In 1915, the lawman-turned-filmmaker made “Passing of the Oklahoma Outlaws,” again starring actual criminals and the good guys who chased them. He is known for his attempts to deglamorize the outlaw villain and for striving to prove there are no outlaw heroes.
 
 
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