Monday 20 May
 
 
DVD reviews

Nightfall

As Simon Lam gets older, he gets better. The veteran actor has appeared in such in seminal HK action films of the 1990s as Once Upon a Time in China (opposite Jet Li) and Bullet in the Head (directed by John Woo); in the aughts, he graced audience and critical favorites Election and Ip Man.
05/20/2013 | Comments 0

Grand Duel

Lee Van Cleef enjoyed a secondary career in Italy cranking out spaghetti Westerns, with little regard to quality. However, 1972’s Grand Duel — aka The Big Showdown — is deserving of its Grand label. No wonder Quentin Tarantino borrowed its sweeping theme song by Luis Bacalov for Kill Bill; you'll recognize it in two notes.
05/20/2013 | Comments 0

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0

Texas Chainsaw

One of the most inconsistent franchises in movie history is the one beget by Tobe Hooper's 1974 classic, The Texas Chain Saw Massacre. How does one follow all those less-than-beloved sequels? Lionsgate's latest in the series — the seventh — has a solution: Ignore 'em.
05/17/2013 | Comments 0

Captain America: Collector’s Edition

Not long after Batman changed Hollywood in the summer of 1989, every studio wanted to have the next comics-based blockbuster. I remember visiting Penn Square Mall’s multiplex (as I did often back then) and seeing a poster for Captain America. The one-sheet was comprised of little more than a close-up of Cap’s iconic shield and a promise to arrive next summer.
05/16/2013 | Comments 0

R&R Q&A with Jason Segel


It’s felt up, as the Muppets prime for a comeback.

By Rod Lott November 15th, 2011

Anticipation is high for “The Muppets,” Disney’s reboot of the Jim Henson crew, opening just in time for Thanksgiving. Its star and screenwriter, Jason Segel, is much too busy to talk to outlets like lil’ ol’ us, so the Mouse House sent a canned interview to me. Rather than be a corporate puppet and run it as is, I thought it’d be more fun to change the questions, but leave Segel’s answers intact, so I feel like I actually contributed.

Personally, I think it makes for a better read. The studio should be paying me. Enjoy. 

R&R: Jason — if I may call you Jason — can you please discuss the inception of this film, but using a phrase that a woman might use to let others know that she’s pregnant?

Segel: The Muppets were my first comic influence and I was in love with puppetry. I just thought it was an amazing art form. We ended “Forgetting Sarah Marshall” with a lavish puppet musical, and The Jim Henson Company designed the puppets. Something started growing in my belly, and Nick (Stoller) and I came up with this idea and pitched it to Disney. Disney liked the idea, so we wrote the script.

R&R: “Belly,” good one! I also would’ve accepted “I was craving raw meat” and “Oops, I missed my period.” Now, whenever you tell anyone about taking on characters as beloved as these Muppets, what is their response? Scratch that: What are two of their responses?

Segel: Whenever I tell anyone, the response is always twofold: “Oh my God, that's awesome.” And then, “You better not mess it up.”

R&R: How about that Amy Adams? She seems super-sweet and super-innocent, and with credits like “Enchanted,” she seems just perfect for this role. You really lucked out.

Segel: Amy Adams is super-sweet and super-innocent, and with credits like “Enchanted,” she was just perfect for this role. We really lucked out.

R&R: If you could compare Kermit to ... oh, I don’t know, say an iconic Gregory Peck character, who would he be?

Segel: Kermit's the everyman. He's like Atticus Finch. He just wants to be an upright citizen and be kind. It’s all about laughter and love and doing what's right.

R&R: Let’s cut to the chase. Miss Piggy: She’s a diva, am I right?

Segel: Miss Piggy is the ultimate diva.

R&R: Do you think you could talk about Animal while making a Shakespeare reference that no one but English-lit majors will get? Bonus points for a Freud reference, too. You realize that if you pull this off, the academic world may stop thinking of you simply as the guy who wiggled his wang around in “Sarah Marshall.”

Segel: Animal is the part of all of us that is unhinged. Animal is like our Id. He's like Caliban from “The Tempest.”

R&R: Touché, Segel, touché.  —Rod Lott

 
  • Currently 3.5/5 Stars.
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