Sunday 20 Apr
 
 
CD reviews

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
 

VOTD: A work of fiction


New Bon Iver video kicks off a series promoting the deluxe re-release.

By Matt Carney November 29th, 2011

Googling “Hinnom, TX” will produce a bunch of pages about song lyrics, but no directions to any city. That’s 'cause it doesn’t exist! Except in Bon Iver’s excellent self-titled album, which former OKSee helmsman Stephen Carradini and I recently agreed upon as a definite Top 10 OKSee Record of 2011.

This song really stands out from when I caught the band’s Kansas City set at the Uptown Theater a few months ago, mostly just because it was kinda humorous visually. Those lofty-pitched backing vocals came from Reggie Pace (a stout, cheerful black man) and Michael Noyce (a skinny, mousy, mop-haired white guy), who were standing at opposite sides of the stage. Opposites attract to form beautiful tones, I suppose.

Watch as the sun does its best impression of a living being:



AS-OF-THIS-MORNING UPDATE: The band’s posted all 10 of the aforementioned videos to its official YouTube page. Gorge yourself on these visually stunning vids, friends.
 
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