Wednesday 19 Jun
 
 
CD reviews

Kanye West — Yeezus

Try as you might, but there’s no escaping Kanye West. Turn on the TV, radio, computer — hell, take a stroll downtown and you might see his mug projected on the side of a building. It’s an undeniable fact of life in 2013: Kanye West is bigger than Buddha, Krishna and The Beatles (today, anyway) and he’ll be the first to let you know about it.
06/18/2013 | Comments 0

John Moreland — In the Throes

With the soul of a poet and the look of a Sons of Anarchy extra, Tulsa’s John Moreland has been gifted the sort of gravely, booming voice that does Bruce Springsteen proud and a similar understanding of the universal human experience. It’s made for some fantastic records — both as a solo artist and with his dissolved Black Gold Band — and In the Throes is his best yet.
06/19/2013 | Comments 0

Jumpship Astronaut — Lights Burn Out

Oklahoma has never been the haven for electronic rock music that it is for country, folk and, as of late, psychedelic pop, but from the sound of Lights Burn Out, Oklahoma City upstart Jumpship Astronaut seems intent on changing that.
06/12/2013 | Comments 0

Various artists — Reaching Out

Like so many Oklahomans, the local music scene has responded with generosity and grace in the wake of last month’s tragedy in Moore. In the weeks since, droves of local musicians have banded together for benefit concerts and radio marathons to raise funds for the relief effort, and with extraordinary results.
06/04/2013 | Comments 0

Progress in Color — Get Well

It’s been a long, bumpy ride for Glenpool’s Progress in Color, which saw a record deal with Epic evaporate before even one record could come of it, but it’s led the outfit to where it was supposed to be.
06/04/2013 | Comments 0

VOTD: A work of fiction


New Bon Iver video kicks off a series promoting the deluxe re-release.

By Matt Carney November 29th, 2011

Googling “Hinnom, TX” will produce a bunch of pages about song lyrics, but no directions to any city. That’s 'cause it doesn’t exist! Except in Bon Iver’s excellent self-titled album, which former OKSee helmsman Stephen Carradini and I recently agreed upon as a definite Top 10 OKSee Record of 2011.

This song really stands out from when I caught the band’s Kansas City set at the Uptown Theater a few months ago, mostly just because it was kinda humorous visually. Those lofty-pitched backing vocals came from Reggie Pace (a stout, cheerful black man) and Michael Noyce (a skinny, mousy, mop-haired white guy), who were standing at opposite sides of the stage. Opposites attract to form beautiful tones, I suppose.

Watch as the sun does its best impression of a living being:



AS-OF-THIS-MORNING UPDATE: The band’s posted all 10 of the aforementioned videos to its official YouTube page. Gorge yourself on these visually stunning vids, friends.
 
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