Power Pyramid doesn’t have much patience for nonsense. That appears to be the takeaway from the Oklahoma City quintet’s last 10 months, which brought The God Drums in September, the Insomnia EP in January and its latest, self-titled effort in July.
The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.
And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
Bumping around at Norman Music Festival 4, Tulsa rock photographer Jeremy Charles told me not to miss indie-rock dudes And There Stand Empires. In all the buzz and hubbub of about 8 million bands all playing in three days, I completely blanked, which I now regret, having viewed the video below.
The band releases its self-titled album Dec. 16, and you can bet that I’ll be looking for somewhere to purchase it when I return home to Tulsa for Christmas. The video includes snippets of songs and plenty of footage of the band hashing them out in-studio. Jarod Evans and Chad Copelin of Blackwatch Studios both appear to have produced it, but the thing to watch for here is just how many notes (guitar, xylophone, piano) they can squeeze into a single section of music.