All of Fuzz Steilacoom’sbest qualities are revealed in “Alabama Movies” and “A Little Late,” the opening and closing tracks of the Oklahoma City duo’s third full-length. The relationship between them unveils the worst.
Parker Millsap’s debut album, Palisade (which we named the Best Oklahoma Record of 2012), wasn’t like most debuts, sounding more like the product of a grizzled 40-year-old folk hero than that of a 19-year-old kid just months removed from high school.
Oklahoma City emcee Mon is a rapper at heart, but there’s a singer-songwriter in there too. His self-aware Goodbye September plays like an open diary of slinky and saddened beats ready-made to emote over and pour into.
What with last week’s 2011 retrospective, the holiday season and all, I’ve recently
lagged behind in posting local music videos. Important lesson learned: It’s
dangerous falling back of OKC’s creative folk, as they just continue to pump
new stuff out by the hour.
For starters, Delo Creative (the dudes behind Change Yr Life OKC) have a new series
they’ve dubbed “Be Nice to Your Kids” (BNTYK, for short), which they christened
with a pair of videos of The Boom Bang playing in a dirty men’s room. For
whatever reason, it just makes sense. Watch “Vietnomnomnom” and “Sugar Ray
More exciting though are these two energetic vids from post-punk-rockers Chud,
who cover themselves in glowing paint while they tear through “Handsome
Vampires” and “Control, Alt, Complete.” Something shatters near the end of the
latter song. What it is, who knows? Check back soon for a BNTYK session with
Also, I’d be remiss to neglect this nutso Flaming Lips cover of John Lennon’s
nutso classic “I Am the Walrus,” also shot by Delo. NYE is coming, folks, and
rumors abound of Beatles covers for the visiting Mrs. Ono. Watch Steven Drozd
completely lose his mind, below.
If you missed this ridiculous Zane LaRue-shot Chrome Pony video for “Christmas
Babes,” his contribution to the Blackwatch Christmas album,
then I pity you.
Also, Nathan Poppe snuck into Blackwatch Studios to do this simple, elegant one-shot of
Beau Jennings covering Woody Guthrie’s lone Christmas song, assisted by the
awesomely-bearded Daniel Foulks. This winsome beauty’s called “1913 Massacre”
and it makes “Blue Christmas” sound about as happy as “Super Bass.”