Tuesday 22 Jul
 
 
CD reviews

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0
 

You are now entering Yoko-lahoma: Pt. II


Photos from the second night of the Flaming Lips' two-night NYE stand.

By Matt Carney January 2nd, 2012

Jeez, what a weekend.

By the time Denton, Tex.'s Neon Indian took the stage at the Coca-Cola Center in Bricktown Sunday night, only about half as many people were in attendance as the night before. Much of the place's atmosphere seemed diminished for this, and the fact that ringing in 2012 was day-old news.

Nobody told Wayne or Yoko Ono, though, and each celebrated the stroke of midnight for January 2, 2012 with as much fervor as January 1. That ineffable enthusiasm seemed to stoke fans' fire more than any single piece of music possibly could, but Alan Palomo of Neon Indian really gave them a run for their money with the "Hex Girlfriend," "Deadbeat Summer," and "Polish Girl"'s disco beats, splotchy synths and catchy choruses. And dance moves. He's pretty well set in that department.


Another Plastic Ono Band set featured the previous evening's murderer's row of talent, fronted by Yoko's indecipherable but enthusiastic yowling.

"Race for the Prize," "Drug Chart," and a Palomo-assisted version of "Is David Bowie Dying?" all made the Lips' cut tonight. I swear, "Sweet Leaf," "Worm Mountain" and "Race for the Prize" all in a row is just enough gets me so amped up I could go run four or five marathons. It was the usual mess of ephemeral chest-beating  and affection. Now if you'll excuse me, I'm going to go hibernate the rest of Monday away.

Photos are below. Also be sure to check out last night's photo set if you missed it.


 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 
 
Close
Close
Close