It has been a relatively rocky road for Weatherford alt-country outfit Green Corn Revival, which has seen its share of highs (acting as backing band for rockabilly icon Wanda Jackson) and lows before an (amicable) split in the road led half of the original lineup to forming Honeylark.
Oklahoma is quickly becoming the indie Christmas music capital of the world, it seems, with yearly compilation albums featuring everyone from Stardeath and White Dwarfs to Graham Colton. So it makes sense that Colourmusic — freak-poppers hailing from Stillwater — would craft a full album of original, offbeat holiday tunes themselves.
The Oklahoma City metro has a thriving garage rock scene. With seasoned acts like Broncho and Copperheads carrying the modern-day torch, the way has been paved for a flock of gritty, young, guitar-centric acts. But nascent Norman trio Poolboy has a knack for riotous hooks that few of its contemporaries can boast.
The Flaming Lips’ longevity has allowed them to cover a lot of sonic terrain over the years. Yet they’ve arguably become more adventurous with age, jeopardizing a good portion of their fan base in favor of fascinatingly bleak experiments in sound, beginning with Embryonic in 2009 and, more recently, The Terror.
Youth Lagoon — “July” Youth Lagoon proved 2011’s most fragile new sound, and this song’s a textbook example. Watch a sad, bloody teenage drama unfold here. Also note the car driving on the wrong side of the highway near the video’s end.
Iron & Wine — “Godless Brother in Love” Less fragile than delicate, this Iron & Wine video supporting the very-good 2011 album “Kiss Each Other Clean” goes camping. This one’s much more into celebrating youth than mourning it. Warning: chicks with armpit hair abound.
Craig Finn — “Jackson” Here, The Hold Steady front man (who plays The Conservatory on Feb. 2!) plays a reminiscent, kinda downtrodden song off his forthcoming album, “Clear Heart, Full Eyes,” due out Jan. 24 on Vagrant Records. “It’s good” is all I have to say about it.
Phantogram — “Running from the Cops” live in OKC I actively decided not to listen to dark-toned New York indie-synth act Phantogram prior to its NYE Freakout opening set, just to be surprised. Turns out I was overwhelmed. Here’s a trippy, strobed-out video I helped Nathan Poppe shoot on night one of the festivities. Nathan says he’ll have a video from Neon Indian’s night-two opening set by the end of the week.