Power Pyramid doesn’t have much patience for nonsense. That appears to be the takeaway from the Oklahoma City quintet’s last 10 months, which brought The God Drums in September, the Insomnia EP in January and its latest, self-titled effort in July.
The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.
And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
Youth Lagoon — “July” Youth Lagoon proved 2011’s most fragile new sound, and this song’s a textbook example. Watch a sad, bloody teenage drama unfold here. Also note the car driving on the wrong side of the highway near the video’s end.
Iron & Wine — “Godless Brother in Love” Less fragile than delicate, this Iron & Wine video supporting the very-good 2011 album “Kiss Each Other Clean” goes camping. This one’s much more into celebrating youth than mourning it. Warning: chicks with armpit hair abound.
Craig Finn — “Jackson” Here, The Hold Steady front man (who plays The Conservatory on Feb. 2!) plays a reminiscent, kinda downtrodden song off his forthcoming album, “Clear Heart, Full Eyes,” due out Jan. 24 on Vagrant Records. “It’s good” is all I have to say about it.
Phantogram — “Running from the Cops” live in OKC I actively decided not to listen to dark-toned New York indie-synth act Phantogram prior to its NYE Freakout opening set, just to be surprised. Turns out I was overwhelmed. Here’s a trippy, strobed-out video I helped Nathan Poppe shoot on night one of the festivities. Nathan says he’ll have a video from Neon Indian’s night-two opening set by the end of the week.