Tuesday 21 May
 
 
DVD reviews

Nightfall

As Simon Lam gets older, he gets better. The veteran actor has appeared in such in seminal HK action films of the 1990s as Once Upon a Time in China (opposite Jet Li) and Bullet in the Head (directed by John Woo); in the aughts, he graced audience and critical favorites Election and Ip Man.
05/20/2013 | Comments 0

Grand Duel

Lee Van Cleef enjoyed a secondary career in Italy cranking out spaghetti Westerns, with little regard to quality. However, 1972’s Grand Duel — aka The Big Showdown — is deserving of its Grand label. No wonder Quentin Tarantino borrowed its sweeping theme song by Luis Bacalov for Kill Bill; you'll recognize it in two notes.
05/20/2013 | Comments 0

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0

Texas Chainsaw

One of the most inconsistent franchises in movie history is the one beget by Tobe Hooper's 1974 classic, The Texas Chain Saw Massacre. How does one follow all those less-than-beloved sequels? Lionsgate's latest in the series — the seventh — has a solution: Ignore 'em.
05/17/2013 | Comments 0

Captain America: Collector’s Edition

Not long after Batman changed Hollywood in the summer of 1989, every studio wanted to have the next comics-based blockbuster. I remember visiting Penn Square Mall’s multiplex (as I did often back then) and seeing a poster for Captain America. The one-sheet was comprised of little more than a close-up of Cap’s iconic shield and a promise to arrive next summer.
05/16/2013 | Comments 0

Let ‘The River’ run


Catch a Renoir classic for free, thanks to OCU.

By Rod Lott January 9th, 2012

Oklahoma City University continues its 30th annual Film Institute series on Jan. 22 with Jean Renoir’s “The River,” based on Rumer Godden’s 1946 novel.

The 1951 drama serves as an unconventional romance, centered on three girls in India who fall in love with the same man, an American solider (Thomas E. Breen) who lost one leg in the war. No less a cinema master than Martin Scorsese deems the Technicolor production as one of “the two most beautiful color films ever made. I watch that film three times a year. Sometimes four.” 

When Scorsese showed to Wes Anderson, the younger director was inspired to make “The Darjeeling Limited.” (If, like me, you found “Darjeeling” to be a blight on Anderson’s otherwise spotless filmography, blame Marty, I guess.)

According to a press release from OCU, “The River” was one of the two most requested films on the evaluation forms from last year’s series.

“The River” screens for free at 2 p.m. Jan. 22 in the Meinders School of Business’ Kerr-McGee Auditorium, 2501 N. Blackwelder.

Still to come are:
• “Children of Heaven,” Feb. 5;
• “The Milk of Sorrow,” Feb. 19; and
• “Sansho the Baliff,” March 4.

For more information, call 208-5472. —Rod Lott
 
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