Wednesday 22 May
 
 
CD reviews

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

VOTD: You’ve got a little something on your, ah, everywhere …


Gentle Ghost: back and bloodier than ever!

By Matt Carney January 10th, 2012

Gentle Ghost’s continuing collaboration with Delo Creative on the “Be Nice to Your Kids” video series has yielded not one, but two (!) visual accompaniments for new songs. Check out “Dark Parts,” a nuanced, five-minute track that changes pace a couple different times and has a cool “cut out the heart” lyric, apropos for all the dried blood that’s all over the place.


This one doesn’t include a keyboard and is a little less urgent than “Spearherder,” which we first heard last week, but the songwriting has a bit stronger, more present narrative to it, I think. Watch:

 
  • Currently 3.5/5 Stars.
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