Wednesday 16 Apr
 
 
CD reviews

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
 

VOTD: ‘Fat Man’ in a little video


Song not autobiographical.

By Matt Carney January 12th, 2012

John Fullbright’s one of Oklahoma’s finest songwriters and one of our most disciplined students of Woody Guthrie’s school of often-critical, politically and socially conscious lyrics. And he’s not half-bad at tickling the ivories, either.

Fullbright recently performed “Fat Man,” about a selfish prig who “plucks life like a rose,” at the annual Cherokee Creek Music Festival in Cherokee, Texas, where it was filmed by Americana enthusiasts Music Fog:



Neon Indian — “Hex Girlfriend”

Here’s the earlier-promised video of Neon Indian performing at the second night of The Flaming Lips’ New Year’s Eve Freakout, shot by Nathan Poppe and myself. Alan Palomo shows off some serious confidence with those dance moves:



Colin Stetson — “Those Who Didn’t Run”
2011 was Colin Stetson’s year, releasing a lauded album of dystopian saxophone innovations that landed just outside of OKSee’s Top 10. If you can watch the 10 surrealistic minutes of nature shots that comprise “Those Who Didn’t Run” without losing focus, then you are a champion:



POLIÇA — “Lay Your Cards Out”
Once a folk singer up north, Channy Leaneagh (formerly Casselle) met up with Bon Iver collaborator Mike Noyce when she joined up with Wisconsin stoner soft-rockers Gayngs. The result is the avant, Auto-Tuned POLIÇA, and it kinda makes me wish she’d have stuck with more natural-sounding ways of making music. But, to each his own:



“Shut Up and Play the Hits”

If such a thing as a “perfect band” existed, or at least a band that acted exactly as it should, LCD Soundsystem was that band. Dylan Southern and Will Lovelace shot a film following front man James Murphy during his last couple days of LCD’s band-ship, which included a Last Show Ever for the record books. If the trailer’s any indicator, it looks fantastic:



 
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