It has been a relatively rocky road for Weatherford alt-country outfit Green Corn Revival, which has seen its share of highs (acting as backing band for rockabilly icon Wanda Jackson) and lows before an (amicable) split in the road led half of the original lineup to forming Honeylark.
Oklahoma is quickly becoming the indie Christmas music capital of the world, it seems, with yearly compilation albums featuring everyone from Stardeath and White Dwarfs to Graham Colton. So it makes sense that Colourmusic — freak-poppers hailing from Stillwater — would craft a full album of original, offbeat holiday tunes themselves.
The Oklahoma City metro has a thriving garage rock scene. With seasoned acts like Broncho and Copperheads carrying the modern-day torch, the way has been paved for a flock of gritty, young, guitar-centric acts. But nascent Norman trio Poolboy has a knack for riotous hooks that few of its contemporaries can boast.
The Flaming Lips’ longevity has allowed them to cover a lot of sonic terrain over the years. Yet they’ve arguably become more adventurous with age, jeopardizing a good portion of their fan base in favor of fascinatingly bleak experiments in sound, beginning with Embryonic in 2009 and, more recently, The Terror.
Economy — “Winter Recording Fiasco” I have no idea what Economy is, nor anything more about the “Winter Recording Fiasco” than what the musical collective posted to its Bandcamp page, but judging by that information, it’s the Zanzibar! Records folks exploring their weirdness.
These songs are droning and creepy, pulsing with what sounds like bass keyboard and rhythmic lyrics like “keep the species alive.” They’re also topical enough to title a song after a certain dictator of North Korea, recently deceased.
The Rapture — “Sail Away” remixes While The Rapture’s full-length fell a little more flat than I’d hoped, it had a couple of standout singles, and “Sail Away” was one of them. Cut Copy gives a signature tribal contribution, Aeroplane’s starts out sparse before blowing up into a full-on house rave, and Cosmic Kids win the award for choppiest chop-up. Their spacier, hypnotic take, complete with long-echoing, mixed-up vocals is about as different from the original as you can get. Thanks, DFA Records!
Laura Gibson — “La Grande” Plaintive, pretty singer/songwriter Laura Gibson visits Opolis in February with Breathe Owl Breathe. Take this opportunity from NPR to get to know her.
What immediately grabbed me about this song was the cheesy, Grandma-giving-the-thumbs-up art, which initially triggered what I call a “whack-novelty” reaction deep within my brain. Then the track kicked in and I got all excited for his forthcoming album, “Probably Flaws.” Dude’s got skill, and it’s fun listening to him dance around the melody on the “Birthday Sex” sample. As solid a local hip-hop track as I've heard in a while.