With his good looks, Liev Schreiber (TV's Ray Donovan) seems born to play an astronaut. In Magnet Releasing's The Last Days on Mars, he finally gets the chance. As chief systems officer Vincent Campbell, he's part of Aurora's six-month mission on the red planet with only 19 hours left to go before heading home. What could go wrong?
According to The Slumber Party Massacre, young women love to have group sleepovers so fun that the girls don't have the good sense to leave the house when their party is crashed by the arrival of a drill-wielding serial killer.
We vilify people for bad behavior in real life, yet celebrate it in our entertainment, particularly on the small screen. When the results are as strong as the current crop, all new (or new-ish) to DVD and/or Blu-ray, why question the disconnect?
Prior to his Spider-Man trilogy, director Sam Raimi cut his superhero-movie teeth on 1990's Darkman, a character of his own creation. Although it's clearly not the most polished of his works, the summer sleeper plays even better as the years tick by. Look no further than Shout! Factory's colorful re-release on Blu-ray.
Someday, celebrity cyclist Lance Armstrong may regret hiring Oscar-winning director Alex Gibney to document his 2009 "comeback," but I doubt it. As The Armstrong Lie demonstrates time and again for two mostly gripping hours, the athlete is still unable to tell the whole truth and nothing but.
With the smell of shamrock shakes in the air, St. Patrick’s Day is near. That makes it the ideal time for all things Irish, movies included.
On Thursday, lil’ ol’ Norman plays host to the 2012 Puterbaugh Festival of International Literature & Culture’s Irish Film Festival. From 12:45 to 4 p.m., one Oscar-winning movie and two 15-minute shorts will unspool in Meacham Auditorium on the University of Oklahoma campus.
Kicking it off is 2006’s Once, a musical love story that remains one of the 10 best movies I saw last decade, and whose soundtrack forever is imprinted on my brain. Seriously, this film gives me goose bumps each time I see it. Once won the Best Original Song Academy Award for “Falling Slowly” — a victory that had me cheering from my living room.
Also showing are The Crush (not to be confused with 1993’s wretched Alicia Silverstone jailbait thriller; this one was up for an Oscar) and The Other Life, which are about, respectively, a 8-year-old fawning over his teacher and a wealthy woman realizing money ain’t all that.