Wednesday 22 May
 
 
CD reviews

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

SXSW: Buffalo Lounge: Modern Rock Diaries


Not actually modern rock

By Stephen Carradini March 13th, 2012

Credits: Stephen Carradini

I'd never heard Modern Rock Diaries before their set at Buffalo Lounge, so I didn't know what to expect. They were listed as indie/ambient on the press materials, but that name. But, happily, the name is a complete misnomer: this band has about as much to do with Nickelback as Modest Mouse does.

The band, instead, truly does skew to the ambient, atmospheric side of indie rock. At their most upbeat and indignant, the vocalist can import an Isaac Brock-ian edge to the tunes via his delivery. At their most atmospheric, however, Other Lives is a better touchstone; the keys/violin/bass/drums configuration allowed for towering crescendoes.

In between, however, was "September," which saw one member pull double duty on violin and keytar. (Yes, they totally went there.) It's a unique mix of latent aggression (anti-corporatist, anti-political lyrics about being stuck in a cubicle), dancy rhythms, pulsing speed, and haunting atmosphere. It was easily the high point of the set, a song that I'll remember after this evening (and hopefully after the festival). Their widely varied set was still coherent and consistently entertaining; their new EP is definitely on my must-hear list.

 
  • Currently 3.5/5 Stars.
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