Thursday 24 Apr
 
 
CD reviews

IndianGiver - Understudies

There’s a difference between being derivative and being inspired by something, a line a lot of artists can’t seem to find — or at least don’t care to.
04/22/2014 | Comments 0

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0
 

SXSW: Buffalo Lounge: Modern Rock Diaries


Not actually modern rock

By Stephen Carradini March 13th, 2012

Credits: Stephen Carradini

I'd never heard Modern Rock Diaries before their set at Buffalo Lounge, so I didn't know what to expect. They were listed as indie/ambient on the press materials, but that name. But, happily, the name is a complete misnomer: this band has about as much to do with Nickelback as Modest Mouse does.

The band, instead, truly does skew to the ambient, atmospheric side of indie rock. At their most upbeat and indignant, the vocalist can import an Isaac Brock-ian edge to the tunes via his delivery. At their most atmospheric, however, Other Lives is a better touchstone; the keys/violin/bass/drums configuration allowed for towering crescendoes.

In between, however, was "September," which saw one member pull double duty on violin and keytar. (Yes, they totally went there.) It's a unique mix of latent aggression (anti-corporatist, anti-political lyrics about being stuck in a cubicle), dancy rhythms, pulsing speed, and haunting atmosphere. It was easily the high point of the set, a song that I'll remember after this evening (and hopefully after the festival). Their widely varied set was still coherent and consistently entertaining; their new EP is definitely on my must-hear list.

 
  • Currently 3.5/5 Stars.
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