Wednesday 23 Jul
 
 
CD reviews

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0
 

SXSW: Buffalo Lounge: Modern Rock Diaries


Not actually modern rock

By Stephen Carradini March 13th, 2012

Credits: Stephen Carradini

I'd never heard Modern Rock Diaries before their set at Buffalo Lounge, so I didn't know what to expect. They were listed as indie/ambient on the press materials, but that name. But, happily, the name is a complete misnomer: this band has about as much to do with Nickelback as Modest Mouse does.

The band, instead, truly does skew to the ambient, atmospheric side of indie rock. At their most upbeat and indignant, the vocalist can import an Isaac Brock-ian edge to the tunes via his delivery. At their most atmospheric, however, Other Lives is a better touchstone; the keys/violin/bass/drums configuration allowed for towering crescendoes.

In between, however, was "September," which saw one member pull double duty on violin and keytar. (Yes, they totally went there.) It's a unique mix of latent aggression (anti-corporatist, anti-political lyrics about being stuck in a cubicle), dancy rhythms, pulsing speed, and haunting atmosphere. It was easily the high point of the set, a song that I'll remember after this evening (and hopefully after the festival). Their widely varied set was still coherent and consistently entertaining; their new EP is definitely on my must-hear list.

 
  • Currently 3.5/5 Stars.
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