Wednesday 22 May
 
 
CD reviews

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

SXSW: Buffalo Lounge: Black Canyon


Sometimes you just wanna hear a band rip it up

By Stephen Carradini March 13th, 2012

Black Canyon
Credits: Stephen Carradini

We were screaming at the top of our lungs, at the behest of Black Canyon. "I've Had a Long Day of Work" is the sort of song that requires that brand of audience participation. It's not a clapping song, or even a singing song: Participants yell at the top of their lungs. That's the chorus. That's as good a description of rock and roll as I can think of.

Black Canyon, although sporting a name that sounds somewhat like a folksy band, is a straight-up rock band. Sure, there's an acoustic guitar as the base, but the band rages like a powerhouse throughout whatever the songwriter throws at it. The rhythm section, which the lead singer noted as filling in, went after it with gusto: they kept it in overdrive the entire time. The electric lead guitar and acoustic rhythm guitar teetered on the edge of unhinged, pushed along by the rhythm section. And on top of that, roaring vocals from the lead singer (hollerer?) and us. The four-piece blitzed through the entire set in a completely satisfying manner. 

There was one exception: a "slowin' it down" moment showed off the acoustic songwriting chops, and the fact that Ali Harter (!) is on the soon-to-be-released recording is a feather in its cap.

Black Canyon's set was raucous in all the right ways and tight in all the necessary ones. A bang-up job.
 
  • Currently 3.5/5 Stars.
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