Thursday 31 Jul
 
 
CD reviews

Power Pyramid - The God Drums

Power Pyramid doesn’t have much patience for nonsense. That appears to be the takeaway from the Oklahoma City quintet’s last 10 months, which brought The God Drums in September, the Insomnia EP in January and its latest, self-titled effort in July.

07/29/2014 | Comments 0

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0
 

SXSW: Buffalo Lounge: Mont Lyons / Pretty Black Chains


Rock rock rock rock

By Stephen Carradini March 13th, 2012

Pretty Black Chains.
Credits: Stephen Carradini

Mont Lyons pounds out a gritty, shadowy rock'n'roll. Tension rumbles in their songs, but doesn't quite boil: Instead of finishing with a pounding, all-cymbals rush, a high, keening note eerily faded off into the distance. The vocals work within this framework, pushing the boundaries of the tension without ever really spilling over into all-out attack mode. That's the type of sound that Mont Lyons cultivates: low-to-the-ground, punchy tunes with a deep sense of tension. The keys offer a dreamy counterpoint to some of the tension, but we all know that dreams can be more tense than reality itself.

The Pretty Black Chains sound different each time I hear them: this year's model is a three-piece with a heavily Led Zeppelin-influenced sound. The band trafficks in tension too, but in a much different way: they play the ups and downs, building and breaking down parts for greatest effect. The riff is all, but Pretty Black Chains doesn't just place the riff front and center every time. It's awesome when they do, but it's not all they do. The rhythm section is quite heavy and low, providing a thunderous backdrop for the riffs to lie down on. The vocals are less of a centerpiece than in previous incarnations of the band, but this allows for increased interplay between the three instruments.

 
  • Currently 3.5/5 Stars.
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