Wednesday 30 Jul
 
 
CD reviews

Power Pyramid - The God Drums

Power Pyramid doesn’t have much patience for nonsense. That appears to be the takeaway from the Oklahoma City quintet’s last 10 months, which brought The God Drums in September, the Insomnia EP in January and its latest, self-titled effort in July.

07/29/2014 | Comments 0

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0
 

SXSW: Buffalo Lounge: Scales of Motion


Post-punk/rock/other that you can still sing along with

By Stephen Carradini March 14th, 2012

Scales of Motion
Credits: Stephen Carradini

A little-used definition of the word "elegant" is "pleasingly ingenious and simple." It's that definition I think of when I characterize Scales of Motion's post-punk/rock/other mix as elegant. The three-piece takes very complicated, technical instrumental work and synthesizes it in a way that feels pleasing, clever and interesting. Even when the drummer is playing seemingly erratic hits, the guitarist is banging a distorted chord, and the bassist is tracking all over the fretboard, you can be assured that a resolution will arrive. And it most often does in an incredibly satisfying way. 

The three members all contribute vocals to the mix, with bassist taking the sung vocals, the guitarist taking the spoken and yelled vocals, and the drummer providing back-up harmonies. This democratic distribution of vocals only serves to enhance the song-first motive that Scales puts out: all the band members are incredibly talented at their instruments, but each is subsumed into putting out good songs. And with all the technical, rhythmic and melodic complexity, the songs are unique and memorable. You can sing along to some songs; other songs skew too hard or too wild for anthemic melodies. But Scales of Motion makes room for all of it in their amalgam, and that's what makes them a consistently interesting band.

 
  • Currently 3.5/5 Stars.
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