Thursday 24 Apr
 
 
CD reviews

IndianGiver - Understudies

There’s a difference between being derivative and being inspired by something, a line a lot of artists can’t seem to find — or at least don’t care to.
04/22/2014 | Comments 0

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0
 

SXSW: Buffalo Lounge: Scales of Motion


Post-punk/rock/other that you can still sing along with

By Stephen Carradini March 14th, 2012

Scales of Motion
Credits: Stephen Carradini

A little-used definition of the word "elegant" is "pleasingly ingenious and simple." It's that definition I think of when I characterize Scales of Motion's post-punk/rock/other mix as elegant. The three-piece takes very complicated, technical instrumental work and synthesizes it in a way that feels pleasing, clever and interesting. Even when the drummer is playing seemingly erratic hits, the guitarist is banging a distorted chord, and the bassist is tracking all over the fretboard, you can be assured that a resolution will arrive. And it most often does in an incredibly satisfying way. 

The three members all contribute vocals to the mix, with bassist taking the sung vocals, the guitarist taking the spoken and yelled vocals, and the drummer providing back-up harmonies. This democratic distribution of vocals only serves to enhance the song-first motive that Scales puts out: all the band members are incredibly talented at their instruments, but each is subsumed into putting out good songs. And with all the technical, rhythmic and melodic complexity, the songs are unique and memorable. You can sing along to some songs; other songs skew too hard or too wild for anthemic melodies. But Scales of Motion makes room for all of it in their amalgam, and that's what makes them a consistently interesting band.

 
  • Currently 3.5/5 Stars.
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