Wednesday 22 May
 
 
CD reviews

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

SXSW: Buffalo Lounge: Chrome Pony


Behold!

By Stephen Carradini March 14th, 2012

Chrome Pony
Credits: Stephen Carradini

The lead singer of Chrome Pony announced himself as such; he was dapperly dressed in a pea coat, slacks, and a tie. With the shades he donned, he looked like an agent from the Matrix, sent down to police the assembled masses by subduing them with sludgy dance music. By the time that he covered "Nightclubbing," making the titular event sound absolutely like something I would never want to do, I was half-convinced that my own fantasy was true.

The band was large: three guitars, a bassist, a female vocalist, drummer and Chrome Pony himself. They created an interlocking sound that made it hard to tell which guitarist was playing what; but it didn't matter too much. Chrome Pony was in the business of making large, sweeping moments, and in that he/them succeeded entirely. The band's sound seemed to be delivered through Chrome Pony with a sort of righteous zeal; the inability to see his eyes behind the shades made the act even more "other" from us. And that's the way they liked it, it seems. Impressive mix of sound and event.

(They went on last night; I didn't get to their post because I had to go catch my ride. And, you know, sleep.)
 
  • Currently 3.5/5 Stars.
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