Friday 25 Jul
 
 
CD reviews

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0
 

SXSW: The Buffalo Lounge: Horse Thief


Throwback rock teens live the dream.

By Matt Carney March 15th, 2012

So Cameron Neal (my latest local-rock man-crush) and his band of teenaged ACM@UCO students (drummer Preston Greer was the only Horse Thief-er whose hands lacked big, smeary X’s inside Friends Bar last night) sounded even larger, more looming and fierce than their Sooner Soundwave show in Norman last weekend, which was my first experience hearing them in person. With all the pressure and anticipation of the festival, I feel like they really raised the bar on local performances at SXSW. 

First off, Mr. Neal has this awesome old man authoritative rock voice that he adopts for narrative purposes on songs like “The Magician.” Most of Horse Thief’s topicality is mystical nonsense wrapped around nuggets of wisdom, so it’s a useful persona, and it gets really entertaining when he starts dumping sweat and shaking it all out in his impressive beard.

But yeah, it was really nice to see — after The Boom Bang’s raucous mess and The Non’s cerebral movements — a throwback-style band that earnestly wants to rock, while also trying to innovate a bit (they’ve got a keyboard that generates an organ sound which distinguishes them from most any other local band I know of). Cody Fowler looks up into the sky when the song calls for his bass notes to wobble all over the place and Greer makes an O-face when he gets to punish the snares. And Danny Rose looks about as happy shredding his guitar apart as Kevin Durant looks when he hits a 24-foot-stepack three.

Also, it should be noted that two members of The Boom Bang got kicked out of Friends for being rowdy at some point during Horse Thief's set which is impressive, because there was only The Non's in between them.

Photo by Doug Schwarz

 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 
 
Close
Close
Close