Wednesday 23 Apr
 
 
CD reviews

IndianGiver - Understudies

There’s a difference between being derivative and being inspired by something, a line a lot of artists can’t seem to find — or at least don’t care to.
04/22/2014 | Comments 0

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0
 

SXSW Buffalo Lounge: Brianna Gaither


Absolutely stunning songwriter

By Stephen Carradini March 15th, 2012
Piano-based singer/songwriter is a pretty crowded genre, but Brianna Gaither stands head and shoulders above the competition. Her dynamic mezzosoprano can hit dusky lows and electrifying highs, while her melodic songwriting is hard to forget. Her set at the Buffalo Lounge featured her on piano accompanied only by a cajon, and it was still a riveting performance. 

She played through several tunes from her debut album Love is Patient, then treated the audience to a new tune. Most of the songs on Love is Patient are pensive, moody pieces, but the new tune was upbeat, more in the vein of Ingrid Michaelson or Regina Spektor. I enjoyed it immensely, and am looking forward to its recorded version (which can't come soon enough)!

Even though the first few songs of the set were quieter, darker pieces, Gaither and percussionist Kelcy White were consistently smiling. It's fun to be at a set where the band is having fun, and there's no question that Gaither and White were loving the experience. They probably smiled a bunch during the last song too, but I was bouncing about and smiling and having a great time myself; I wasn't paying as much attention to the band. It was an incredibly fun set, and that's rare in singer/songwriter sets, which are often all about the self-expression and self-discovery and stuff. And if Gaither's songs are about that, she's inviting people in for the party, not for the cryfest. Fans of Spektor, Michaelson, and other bouncy pop songs should be intrigued.

Photos by Matt Carney


 
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