Sunday 26 May
 
 
CD reviews

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

SXSW: Imagine Dragons / fun.


Dance rock and theatrical pop

By Stephen Carradini March 15th, 2012
Rushing down Red River Street to the MTVU Woodie Awards stage, I caught the last few songs of Chiddy Bang's set. I especially enjoyed hearing "The Opposite of Adults," which flips MGMT's "Kids" into a beat. The sound was a little low, unfortunately; this would come back to haunt us.

The first full set that I saw was Imagine Dragons, who hail from Las Vegas. They're friends with the Killers, and the influence showed in their set of dance-rock. My favorite part of the whole set was a dubstep breakdown in the middle of a tune; but instead of having the actual electronics play, they attempted to recreate the sound of the break with only their guitar/bass/drums instruments. They seemed to be getting a kick out of this idea; it was really, really funny to me.

The sound problems that plagued Chiddy Bang reoccured during fun.'s set. The theatrical, highly-ornamental pop band opened with "Some Nights," the incredibly complex title track of their recently-released album. The sound was weak throughout, until they fixed it (somewhat) by the second track, but the majestic power of the multi-part harmonies was weakened. Lead singer Nate Ruess was visibly attempting to get sound fixed throughout the tune.

But after the stage struggles, the band delivered a hyperactive set of pop that embraced the audience. Ruess got the audience singing along during several tunes, and the six-member band made all sorts of passionate racket. After "leaving" before playing their hit single "We Are Young," they returned for an "encore" and played it with gusto. Everyone in the crowd sung along. It was a rousing success. fun.'s unique sound is tough to peg, but The Format, Queen and Panic! At the Disco are all apt RIYLs.
 
  • Currently 3.5/5 Stars.
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