Sunday 20 Apr
 
 
DVD reviews

Holy Ghost People

Holy Ghost People examines two sisters whose bond is torn — but by what? After her sibling has been missing for more than a year, Charlotte (Emma Greenwell, TV's Shameless) intends to find out.
04/15/2014 | Comments 0

No Holds Barred

RLJ Entertainment's new Blu-ray for No Holds Barred begins with what seems like dozens of trailers for movies starring pro wrestlers from the WWE talent pool. Each flick went direct to home video, but once upon a time — aka 1989 — one had to go to the multiplex to catch such a spectacle.
04/15/2014 | Comments 0

Knights of Badassdom

In 2008, the third act of the guy comedy Role Models used LARPing — live-action role-playing, that is — as a backdrop for our protagonists' lessons learned. Today, Knights of Badassdom extends that half-hour into a full feature, to the point where viewers are left not smiling, but exhausted. 
04/02/2014 | Comments 0

Switched on

Not everything on television has to appeal to mass audiences. In fact, with the further fractioning of viewership thanks to alternatives like Netflix and VOD, more series can afford to become more niche. Here are five examples of shows both past and present — and new to DVD and/or Blu-ray — that encompass some of the more outrageous ideas ever to go beyond boardroom discussion.
04/02/2014 | Comments 0

Confession of Murder

Seventeen years after slaying 10 women and getting away with it, the charismatic serial killer Du-sok (Park Si-hoo) comes clean with a Confession of Murder, in this 2012 South Korean crime thriller. He does so by publishing a book that dishes all the grisly details.
04/02/2014 | Comments 0
 

At a clip ... in 3-D!


March out for flicks featuring talking lizards, big boats, Mexican wrestlers, Saint Kirk Cameron and more.

By Rod Lott March 16th, 2012
perdidaposter
Lots and lots of film screenings and film-related events are on the calendar and in the works, so schedule yourself some quality time in the dark:

• Lucasfilm’s Industrial Light & Magic’s Colin Benoit will discuss his work as layout supervisor of the Oscar-winning Rango from 5:30 to 7:30 p.m. March 28 at Harkins Bricktown Cinemas, as part of PL Studios’ A Night of Hollywood Visual Effects in OKC. You may not have heard of the obscure flicks for which he’s also provided visual effects, including Iron Man, Star Trek, Hulk, Star Wars: Episode III — Revenge of the Sith and Transformers. (Thought not.)

Also on the bill are LAIKA’s Mark Shapiro (Coraline), CG artist Ed Whetstone and a slew of instructors from PL’s own Digital-Tutors. The event is free, but space is limited, so RSVP at plstudios.com. The first 100 attendees get a free T-shirt!

• Coinciding with City Arts Center’s Miradas exhibit of Mexican art, the venue at 3000 General Pershing presents Perdida at 6 p.m. March 29. The 2009 documentary tells the “unbelievable true story of the rise and fall of the Calderón moviemaking dynasty.” This holds particular appeal to B-movie fans, as the Calderón name is responsible for sex comedies and the Santo series, notably including the recently unearthed, long-thought-lost The Vampire and the Sex. Feast on this clip from Perdida, complete with nekkid women:



• You know who would hate Perdida? Kirk Cameron. I’m just guessing, but something tells me I’d be right. Anyway, he’s made his own documentary, Monumental: In Search of America’s National Treasure Live, showing at 6:30 p.m. March 27 at AMC Quail Springs Mall 24, Cinemark Tinseltown USA and Norman’s Hollywood Spotlight 14. Despite the title, it has nothing to do with Nicolas Cage’s National Treasure, and everything to do with the (I think incorrect) idea that America’s ideals are fading. Regardless of whether you agree, Kirk Cameron’s here to save us all:



And there you have it, so sleep well, America. On a related note, any time I feel sad, I watch these four minutes and 51 seconds from Cameron’s inexplicably popular Fireproof:



• Ever thought the classic ballet Swan Lake could use some 3-D? Your dream comes true for one night only, as Swan Lake in 3D jumps from Broadway to the big screen via Matthew Bourne’s innovative take. Catch it at 7:30 p.m. March 20 at AMC Quail Springs Mall 24 and Cinemark Tinseltown USA. For tickets, visit fathomevents.com.



• For much more modern music, Can U Feel It: The UMF Experience bleeps and bloops at 7 p.m. March 22 at AMC Quail Springs Mall 24 and Cinemark Tinseltown USA. Capturing the vibe (minus the X) of one of the world’s premier electronic-music fests, the concert documentary features the music of DJs Tiësto, David Guetta, Carl Cox, Afrojack, Fedde Le Grand, Boys Noize and many more. For tickets, visit fathomevents.com.



• In case you miss the Oklahoma City Museum of Art’s free screening of the classic Casablanca tomorrow, Fathom Events presents the Humphrey Bogart / Ingrid Bergman Best Picture winner at 2 and 7 p.m. March 21 at — you guessed it — AMC Quail Springs Mall 24 and Cinemark Tinseltown USA.

What’s the difference? Turner Classic Movies host Robert Osborne (I like that dude!) presents the pic in a “stunning digital presentation” to celebrate its 70th anniversary. He’ll discuss the drama’s enduring legacy, share behind-the-scenes stories and, hopefully, will school all those who think “Play it again, Sam” is an actual quote from the film. For tickets, visit fathomevents.com.



• Speaking of classics — or just movies that won lotsa awards — that 3-D conversion of James Cameron’s Titanic has been announced officially to screen in IMAX at the Moore Warren, home to a brand-spankin’-new IMAX theater, luckily. Glug, glug!

 

• Finally, Japan’s controversial Battle Royale finally got an American release on Blu-ray and DVD (I reviewed it earlier this week), but how awesome would it be to see this proto-Hunger Games “splatire” (that’s “splatter” + “satire”) in theaters? Totally awesome! But you’ll have to make the drive to Dallas, where you can catch it April 6 and 7, only at the Inwood. Apparently, Tulsa’s Circle Cinema showed it last month, and I missed that news. Oh, well. —Rod Lott




 
  • Currently 3.5/5 Stars.
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