Tuesday 21 May
 
 
CD reviews

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0

SXSW: David Ramirez


Gorgeous, gentle fingerpicked folk

By Stephen Carradini March 17th, 2012

There is no possible segue between Titus Andronicus and David Ramirez except to say that they sound absolutely and completely nothing alike. Ramirez's gentle, fingerpicked acoustic folk was impressive, especially considering that he was saddled with one of the worst spaces to play in South by Southwest. Booked in the hotel restaurant of the Hilton, Ramirez was separated from the audience by a near-constant train of waiters who were bringing food out from the kitchen, passing in front of Ramirez and snaking through the audience. For songs that hang on every note from an acoustic guitar and voice, this was not optimal in the slightest.

However, Ramirez was a good sport about it and still played an admirable set. Even though the spaces between notes were filled with the clanking of dishes, his resonant voice, heartbreaking lyrics and deft playing shone through. He has a calming, warm voice that seems effortless; even with the noise, it was clear that he has an immense talent. "Strangetown" and "Shoeboxes" were head and shoulders above the rest of his tunes, imparting a mood to the room despite the noisy atmosphere. Fans of Joe Pug's quietest stuff, Damien Jurado and Damien Rice need to take note of David Ramirez.

 
  • Currently 3.5/5 Stars.
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