Monday 20 May
 
 
CD reviews

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0

'Todd P Goes To Austin' and rocks


By Stephen Carradini December 7th, 2010
I don't know if there's a music fan alive who hasn't dreamed of being in a band. Unfortunately, this dream often goes unrequited. But for those struggling to keep the embers of a dream alive, "Todd P. Goes to Austin" is a can of gasoline.

Todd P is a do-it-yourself show promoter; he describes his job as making music louder and making sure someone's at the door taking money. He waxes philosophical about the meaning of music, verbally punishes anything related to the music industry, and generally loves indie rock with all his being. Instead of dropping all of that on you at once, brilliant director Jay Buim intersperses interview footage among the tales of several vans heading down to Austin for a subversive, unofficial showcase headed up by Todd P in the middle of South by Southwest.

The bands chosen by Todd P are what make this film so excellent: the hyperkinetic and über-enthusiastic Matt and Kim get substantial camera time, the manic and incredible The Death Set own a storyline, and the attitude-filled girl punks Mika Miko take up another chunk. The final storyline is Todd P's own van, which has all the gear for the show. Oh, yes, there will be breakdowns.

The documentary does an outstanding job of capturing the frenzy and freedom of being in an underground rock band; the whole affair is painted as dramatic, romantic and enthusiastic. If you have a pulse, you will want to quit your job and form a band about halfway through the documentary. You will want to repeat the documentary as soon as it's over. You will need someone to restrain you from jumping up and down during the final montage.

The documentary is perfectly paced, beautifully shot and masterfully edited. It sprints by your eyes, stirring up endorphins and adrenaline. The only thing that the documentary does poorly is show how boring a lot of being in a band actually is. But why fixate on that crap?

"Todd P Goes to Austin" is the most entertaining music documentary I've ever seen, and high on my list of favorite documentaries. 



+stephen
 
  • Currently 3.5/5 Stars.
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