Tuesday 15 Apr
 
 
CD reviews

Dustin Prinz - Eleven

Few musicians take the time to master their instrument in the way that Oklahoma City singer-songwriter Dustin Prinz has; he’s a guitar virtuoso in every sense of the word, and Eleven gives him the chance to show just how far he can push that skill.
04/15/2014 | Comments 0

Horse Thief – Fear in Bliss

Listening to Horse Thief’s previous release — the haphazardly melodramatic Grow Deep, Grow Wild — felt like a chore. Whatever potential the Oklahoma City folk-pop act demonstrated on the EP was obscured behind a formulaic, contrived and ultimately hollow cloud. But it at least offered a glimmer of promise for a band consisting of, frankly, five pretty talented dudes. Critics saw it; the band’s management saw it; its current label, Bella Union, saw it; and its increasingly fervid fan base saw it.
04/08/2014 | Comments 0

Colourmusic — May You Marry Rich

There’s always a sense of danger when debuting songs in a live setting and playing them well. Without having heard the studio versions, expectations are set according to the live incarnations. But capturing the breadth of free-flowing atmosphere and sheer volume on a disc, vinyl or digital file isn’t the easiest thing to do, especially for a band as vociferous as Colourmusic.
04/01/2014 | Comments 0

Em and the MotherSuperiors — Churches into Theaters

As titles go, Churches into Theaters is an apt descriptor for the debut album from Oklahoma City rockers Em and the MotherSuperiors. It’s a reverential record, one that shares the gospel of classic rock, blues and soul but embraces the need to refashion it for modern times, channeling The Dead Weather, Grace Potter and Cage the Elephant along the way.
03/25/2014 | Comments 0

Rachel Brashear — Revolution

Rachel Brashear’s second EP, Revolution, starts with a kick to the shins.
03/18/2014 | Comments 0
 

Don’t you want the ‘80s?


Cinematically and/or musically!

By Stephen Carradini February 14th, 2011
ghostbusted

There’s a fine line between homage and parody, and this ridiculous video below falls firmly on the side of homage.

The backstory: Upcoming film “Take Me Home Tonight” is a parody/homage to ‘80s teen comedies (”Ferris Bueller’s Day Off,” “The Breakfast Club,” et al). It stars Anna Faris (“The House Bunny”) and Topher Grace, aka Eric from “That ‘70s Show” (who is now in danger of being typecast as “weird period piece dude”). To promo the film, Brooklyn rock band Atomic Tom (which rides the coattails of OK Go pretty hard) re-did Human League’s “Don’t You Want Me” so that a music video could be created for it.

That music video, which is below, consists of the cast of “Take Me Home Tonight” reliving as many scenes as possible from classic ‘80s movies. Grace does a weirdly accurate Marty McFly impression, as well as some breakdancing. How’s your ‘80s movie knowledge? Can you guess ‘em all?

The fun gets started at 1:08, but it really picks up at 2:00.



Bonus question: Why don’t we have as many iconic movies as we used to? The ‘00s didn’t produce as many celluloid cultural touchstones as the ‘80s…

 
  • Currently 3.5/5 Stars.
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