Thursday 31 Jul
 
 
CD reviews

Power Pyramid - The God Drums

Power Pyramid doesn’t have much patience for nonsense. That appears to be the takeaway from the Oklahoma City quintet’s last 10 months, which brought The God Drums in September, the Insomnia EP in January and its latest, self-titled effort in July.

07/29/2014 | Comments 0

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0
 

SXSW: Fiawna Forte


Powerhouse rock'n'roll

By Stephen Carradini March 16th, 2011
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In an age of increasing gear and growing complexity, it's almost counter-cultural to rock it with little more than the instruments you brought in.

Fiawna Forte and her band brought in exactly three pedals; one for each of the two guitarists and bassist. The stage was remarkably uncluttered, which was necessary for the band to move around. And move they did. Fiawna and her band went nuts on stage: dancing, headbanging and generally strutting their stuff. Even the drummer couldn't stay on his seat, routinely standing up and banging with fervor.

But the stage was not enough for Forte; twice she entered the audience while performing, once with guitar in hand and once with just her mic. She roamed around in the audience, trying her hardest to invigorate the listeners.

Antics aside, her music was enough to arrest the audience; her brand of no-frills rock and roll was sold by her roaring voice. Even though there was a power to her vocal cords, it never became guttural or non-feminine; her voice is just powerful. When paired with body-movin' riffs and ear-snagging melodies, it became an irresistible formula that I and the audience could not take eyes off.

Fiawna Forte has an electric stage presence, great songs and a bright future. I am blown away.

 
  • Currently 3.5/5 Stars.
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