Friday 24 May
 
 
CD reviews

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

SXSW: O Emperor/Lafaro/Sweet Jane/Adebisi Shank


Irish music is incredibly varied!

By Stephen Carradini March 19th, 2011
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Enthused from my surprise experience of Sleep Bellum Sonno, I proceeded to strike out twice with Deer Tick (too crowded) and Typhoon (lost? again?). Having sensed a theme for the day, I turned my feet toward the venue of the band I had scoped out as a must for the day: Adebisi Shank. 

Their set was at the Music from Ireland stage, so I settled in for several Irish bands. O Emperor played lilting, breezy pop that was reminiscent of The Thrills and other charming indie pop bands. It wasn't world-changing, but it wasn't bad either. Heavy metal act Lafaro changed the mood significantly, throwing down some very impressive old-school metal. Fittingly, one of the guitarists was wearing an Iron Maiden t-shirt. If you like the chugga chugga without all of the drama and theatrics that have been attached to metal as of late, you'll like Lafaro.

Sweet Jane changed the mood again, playing a set of female-fronted psych and rock. Their tunes warmed up the audience for the reason I was there. 

The three-piece Adebisi Shank (pictured) took the stage, and I mean they really took the stage. Their energetic, complex, fun instrumentals translated to the guitarist and bassist jumping around, swinging guitars, throwing their bodies across stage and making crazy faces. Their tunes sounded immaculate, which is incredible for a guitarist, bassist and drummer who were all going nuts while playing their technically difficult (but still optimistic) music. 

The band's energy and enthusiasm spilled out of the venue; the masked bassist vaulted over the railing to the outside of the building and played half of a song to the audience standing outside. It was the piece de resistance on a brilliant show; I'm sad that Ireland is across an ocean from us, as it may be a while before they grace America again. Hopefully someone can convince them to come to Oklahoma. 

 
  • Currently 3.5/5 Stars.
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