Friday 24 May
 
 
CD reviews

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

SXSW: The Felix Culpa


Chicago's finest rock band throws down

By Stephen Carradini March 19th, 2011
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If you ever come to SXSW and don't have any idea what to do or where to go, just cruise 6th Street from Red River to Congress. You will find something you like. As I left Adebisi Shank's show, I started checking out the line-ups from the prodigious amount of bars on the strip and noticed, to my absolute astonishment, that The Felix Culpa was playing in forty-five minutes in the bar I was standing outside. 

I've been listening to Chicago-based The Felix Culpa since 2004, but I had yet to see a show of theirs. But for the second time in a day, I was blown away by a post-hardcore band that I had no expectation whatsoever of seeing. The Felix Culpa plays long, intricate tunes that have more parts in them than a whole car: Their entire set consisted of three very lengthy songs. These guys have songwriting chops like I've never heard, and they put them on full display in their show.  

"Escape the Mountain, Lest Thou Be Consumed" played out like a novel in song form, with hard-charging high points, solitary valleys, and everything in between. The band pounded through the tunes with passion, never letting a second go by without a yelled vocal, a swung guitar or some other expression of their fervor. Their sung melodies, screams and instrumental work each were hitting on all cylinders, resulting in an incredible, highlight set. I plan on seeing them again, because the set was just that good. 

If you like artistic, complex, deep rock music that skews toward hard but doesn't camp out there, The Felix Culpa is your band. You need to know them. That's really all there is to it. 
 
  • Currently 3.5/5 Stars.
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