Tuesday 22 Jul
CD reviews

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0

SXSW: The Felix Culpa

Chicago's finest rock band throws down

By Stephen Carradini March 19th, 2011
If you ever come to SXSW and don't have any idea what to do or where to go, just cruise 6th Street from Red River to Congress. You will find something you like. As I left Adebisi Shank's show, I started checking out the line-ups from the prodigious amount of bars on the strip and noticed, to my absolute astonishment, that The Felix Culpa was playing in forty-five minutes in the bar I was standing outside. 

I've been listening to Chicago-based The Felix Culpa since 2004, but I had yet to see a show of theirs. But for the second time in a day, I was blown away by a post-hardcore band that I had no expectation whatsoever of seeing. The Felix Culpa plays long, intricate tunes that have more parts in them than a whole car: Their entire set consisted of three very lengthy songs. These guys have songwriting chops like I've never heard, and they put them on full display in their show.  

"Escape the Mountain, Lest Thou Be Consumed" played out like a novel in song form, with hard-charging high points, solitary valleys, and everything in between. The band pounded through the tunes with passion, never letting a second go by without a yelled vocal, a swung guitar or some other expression of their fervor. Their sung melodies, screams and instrumental work each were hitting on all cylinders, resulting in an incredible, highlight set. I plan on seeing them again, because the set was just that good. 

If you like artistic, complex, deep rock music that skews toward hard but doesn't camp out there, The Felix Culpa is your band. You need to know them. That's really all there is to it. 
  • Currently 3.5/5 Stars.
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