Monday 28 Jul
 
 
CD reviews

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0
 

NMF: O Fidelis/Depth and Current


Acoustic shows, remixes and Oklahoma tees

By Stephen Carradini May 4th, 2011
OFidelisHoriz2

After Head Cabinets' thoroughly engaging set, my party needed some food. We ordered Bison Witches sandwiches to go, then stopped in at Bigfoot Creative to visit a friend workin' late. We admired their (relatively) new storefront, which was stocked to the hilt with quirky Oklahoma-reppin' tees. I want a Norman one.

Our visual art impulses satiated, we kicked it to Bluebonnet, where O Fidelis was setting up ... and setting up and setting up. Songwriters Brian Gilliland and Laney Coker played a two-song acoustic set to cover the space the technical problems were creating, and it was a neat way to hear them. I'd like to see more of that.  With all the equipment in place, they tore through an abbreviated version of their set, which featured slightly different arrangements of familiar O Fidelis tunes. I'm taking this to mean that their promised release "Bible Promises and Dinosaurs" must be near, what with the revisiting old songs. They brought a ferocious energy to their tunes, as usual, once again reminding me that I just love watching them play. If you haven't seen O Fidelis yet, you're just in the wrong. Do it now.

I'd had to choose between The Gentle Art of Floating and O Fidelis, and as much as I love the aforementioned band, I second-guessed myself when I arrived at Opolis. The small venue was filled with balloons, streamers and a huge light show; I clearly missed something incredible. But, after the apparent party was dismantled, Depth and Current took the stage to rumble through their tunes.

Depth and Current is incredibly well-named, because their low, heavy songs sometimes feel like a heavy wave hitting swimmers. They set up red lights on themselves, casting an eerie glow over everything. Their songs were incredibly tight and impressive in their power. I especially enjoyed the fact that they had learned how to play a remix of one of their tunes.

 
  • Currently 3.5/5 Stars.
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