Friday 11 Jul
 
 
CD reviews

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0

Kyle Reid & the Low Swinging Chariots - “When I Was Young”

Every artist should be the star of their own creative life, which makes Kyle Reid’s steps out of the shadows of the many ensembles and supporting roles he has played in Oklahoma bands over the years to front and center on stage feel like a just journey.
06/17/2014 | Comments 0
 

NMF: Thee Bad Newes/FRMR


DIY folk goodness and experimental pop madness

By Stephen Carradini May 5th, 2011
TheeBadNewes

Friday's NMF started out with a disappointment: Football, etc. canceled their set because their drummer broke both his feet (what?!?).  Instead, I caught Thee Bad Newes on Opolis' inside stage, where I spent a surprising amount of time throughout the festival. I'm becoming sedentary, and this is proof.

Nevertheless, Thee Bad Newes were fun to watch. I'm all about the DIY attitude and aesthetic, and TBN has both in spades. The duo releases music on cassette tapes (definition) and sings lyrics about working to build a life in community. The acoustic guitar/cello duo's songs were a blend of the gentle and the harsh, as the nylon-stringed acoustic guitar was most often played in a fingerpicking style reminiscent of both The Tallest Man on Earth and Bob Dylan. The cello provided lithe, swooning accompaniment.

Similarly to both aforementioned artists, the vocals were somewhere between a bray and a bark, bringing a raw element to the sound. It was a unique and interesting set, which was sad in light of the comment "This will be our last show for a while."

Rolling on out to Sooner Theater, I caught the back half of FRMR's set, which just about blew my mind and eardrums. The bizarre, carnival-esque tunes that erupt from the many members of FRMR are dizzying in their volume, erratic changes and general chaos. The bass (held down by local staple John Calvin) powered a lot of the tunes, as well as the army of keyboards. The vocals were oddest of all, making me marvel at the fact that some people's musical brains just work so much differently than mine. It was a fascinating set, and I would suggest anyone interested in experimental pop to check out FRMR's variety of it.

 
  • Currently 3.5/5 Stars.
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