Tuesday 29 Jul
 
 
CD reviews

Power Pyramid - The God Drums

Power Pyramid doesn’t have much patience for nonsense. That appears to be the takeaway from the Oklahoma City quintet’s last 10 months, which brought The God Drums in September, the Insomnia EP in January and its latest, self-titled effort in July.

07/29/2014 | Comments 0

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0
 

NMF: Ryan Lawson / Laura Wiederhoeft and Kyle Reid / Penny Hilary


Acoustic country, jazz and folk

By Stephen Carradini May 5th, 2011
RyanLawson

Ryan Lawson's folk/country amalgam is unique for several reasons: he doesn't have much twang (like folk), he strums a lot (like country, and his vocals knob is perpetually set to "holler." He falls in the space between the genres, and his singular vision is always exciting and interesting. His set at Sooner Theatre Stage was no different. He entertained the audience with his excellent tunes and charming stage presence, despite putting up with some unnecessary shuffling of other people's equipment during the front end of his set. It was a joy to just kick back and enjoy some foot-stompin' good tunes.

It was also a joy to see Laura Wiederhoeft and Kyle Reid at Sonder Music. I'll listen to anything Kyle Reid does — so this set was guaranteed on that front — but it was also Wiederhoeft's (Off Boyd Jazz) last Oklahoma set before a move to Wisconsin. This can't-miss set lived up to its promise, as Wiederhoeft (vocals) and Reid (acoustic guitar) trotted out originals by both, jazz standards and even a Reid instrumental on cigar box guitar (his latest venture). The originals were the most riveting, with Reid's instrumental being a jaw-dropping highlight. Wiederhoeft's voice was sultry and inviting as usual, shining brightest on a Reid-penned tune about (what else?) the craziness of being in love. It was a thoroughly calming and enjoyable set. Wiederhoeft will be missed. 

The venue helped the atmosphere as well. Well lit and well-insulated from outside sound, the intimate venue was an excellent place to watch the duo work their magic. I hope they expand their role in the fest next year.

Because I knew I was going to miss Penny Hill Party on the main stage, I stopped back in at Opolis to watch Penny Hilary ("I am Penny Hilary, my band is Penny Hill," Pitchlynn said) acoustic. Her loose, meandering songs quite impressed me, exciting me for a 7" record that she said was coming out on Nice People this summer. Although her modus operandi included a flowing, easy pace, her best songs tightened up the formula a bit, allowing for immediately memorable melodies. 

 
  • Currently 3.5/5 Stars.
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