Friday 11 Jul
 
 
CD reviews

Admirals - Amidst the Blue

Sometimes it helps to not be very good.

Some of the best albums and artists were born out of happy accidents owed to varying degrees of early suckage — the perfect note or chord for a song found by missing the one you are aiming for, failed mimicry of an idol bearing something entirely new and great instead.

07/09/2014 | Comments 0

Kierston White - Don't Write Love Songs

The Tequila Songbirds have become just as beloved as about any group around these parts. And how could they not?

Featuring a revolving cast of the Sooner State’s most badass female performers, it’s a power hour of some of the best songwriting coming out of central Oklahoma. Sure, they might not technically be family, but they are clearly a band of sisters all the same, bonded by the same brand of whiskey running through their veins.

07/01/2014 | Comments 0

Depth & Current - Dysrhythmia

"Overproduced" is a term thrown around all too indiscreetly nowadays, usually applied when the thing that sticks out about a song or album is how it sounds rather than how it is constructed. Yet some of the most compelling albums ever crafted embodied a certain aesthetic that was just as skillfully and meticulously put together as any Bob Dylan or Miles Davis record — which is to say production is as crucial to our enjoyment of music as much as anything else; it's also the most overlooked.
06/24/2014 | Comments 0

Weak Knees - “IceBevo”

Indie rock has been in a good place as of late. Not caring about being cool is the new cool, and a couple of dudes on guitar, bass and drums can make catchy, earworm songs without being armed to the gills with computer software and vintage synthesizers.
06/17/2014 | Comments 0

Kyle Reid & the Low Swinging Chariots - “When I Was Young”

Every artist should be the star of their own creative life, which makes Kyle Reid’s steps out of the shadows of the many ensembles and supporting roles he has played in Oklahoma bands over the years to front and center on stage feel like a just journey.
06/17/2014 | Comments 0
 

NMF: Black Joe Lewis and the Honeybears / The Walkmen


Delta rock and indie-rock cap the fest

By Stephen Carradini May 5th, 2011
blackjoelewis1

By the time Black Joe Lewis and the Honeybears went on at 8:00 p.m., I had spent 24 solid hours at the Norman Music Festival. I was pretty well exhausted, and it was going to take a lot to please me. I hadn't been swayed by Black Joe Lewis' recorded music, but I kept an open mind. I'm glad I did.

The band rocketed out of the starting gate, swinging, swaggering and generally making a ruckus. The band was dressed up dapper, with button-downs and ties. The horn section, which doubled as backing vocals, swung their horns violently back and forth to the music, playing or not. Black Joe Lewis and his rhythm guitarist dueled. Lewis played guitar with his tongue more than once. Burlesque dancers had a dance-off onstage. The band's muscly, horn-laden delta version of rock just wowed the audience. That is, after the audience figured out what to do with the spectacle before them; as Oklahoma has no real musical equivalent to this band, the NMF audience was a bit confused on how to enjoy the band. But they figured it out, and things were festive by the end.

Lewis also had my favorite quote of the whole fest in between tunes: "Some people say we're just a shitty version of Sharon Jones and the Dap-Kings. You know them? Well, we're here tonight to prove that we're just shitty." They did not prove that. They were awesome.

After stopping in at the busy Buffalo Lounge at Five for some refreshment, I went back out — Red Bulled and ready — for The Walkmen. I've previously seen them, so I knew what to expect. But it's still hard to prepare for Hamilton Leithauser's primal howl. Of the forty or so pictures I took of the band, over 3/4ths were of the lead singer, because he's just so electric on stage (well, and the rest of the band is, nicely put, static). The Walkmen's minimal set-up meant that they started pretty much right on time, which was wonderful.  They proceeded to rip through their indie-rock songs, playing songs old and new. I loved seeing them play "The Rat" once again, which is just a killer song. They're not really a band to dance to, but they certainly are a blast to hear and watch.

 
  • Currently 3.5/5 Stars.
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