Wednesday 22 May
 
 
CD reviews

IndianGiver — Plafond EP

If you were to peruse the “About” section of IndianGiver’s Facebook page, you’ll notice how the instruments attributed to each of the Oklahoma City band’s five members are described with downright flippancy: Dylan Jordan plays “sticks & animal skins,” while Jazzton Rodriguez earns his keep with “shanties & loud noises,” and so on.
05/22/2013 | Comments 0

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Neither here nor there


Three CDs that are marginally related to OKC

By Stephen Carradini June 13th, 2011
wafite

The music the Gazette receives falls mostly into three categories: local, locally connected and national. Metro music runs in the paper, while national releases generally are reviewed online. The middle category often falls through the cracks. Not today, however.  

W.A. Fite lives in Dallas, but he’s signed to the Dallas/OKC record label Hand Drawn Records. His “Poisoning the Medicine Tree” is an album of gritty electronic pop with a modern-rock singer over it. He follows a less-traveled path through electronic music: This is not the subtle indie pop of The Postal Service, the sunshiny pop of Owl City, or dance-oriented electro. This is forceful, rock-oriented, electronic music that sort of sounds like the pseudo-electronic experiments of Bush (“Glycerine”), thanks to both the vocals and the song structures. “Beating Thomas Best” and “Jack” are immediate standouts, while the mellower “Carney’s Lake” kicks off the quieter, more experimental back half. “That Ain’t the Way” is a piano rumination, showing his diversity.

Tulsa modern rock band Burn Halo’s latest, “Up from the Ashes,” is not bad, as far as modern rock goes. The strict constraints of the genre still apply, but the production tones down the shrieking treble that makes other releases in the genre so earsplitting. The resulting mix is heavy on low-end of everything: Even the snares sound like almost like toms. The acoustic intro to “Threw It All Away” results in a better-than-average power ballad. (To the naysayers: Yes, it’s still a power ballad.) The band has toured with Avenged Sevenfold, Buckcherry, Papa Roach and Halestorm. The album drops June 28.

Hailing from Okemah, Shawna Russell’s hot-country sound would fit in neatly with now-Okie Miranda Lambert and Taylor Swift, if Swift had a bit more muscular voice. Russell has a strong, mid-range one, and she uses it to the fullest on her self-titled, sophomore debut, which was recorded in OKC and Nashville. The album won’t convert any non-country fans, but Twister listeners will find much to love in her midtempo tunes.  



While you’re here, grab these free MP3s:

1. Hearts” — I Break Horses. You know that dream where you’re flying above the ocean and you’re awestruck instead of terrified?
2. Constellating” — James and Evander. The first band I’ve heard that lives up to a Postal Service comparison, because it has its own spin.
3. The First Time I Saw Jupiter” — Fall on Your Sword. Exactly the type of grounded, arresting electronic music I would expect from a former member of LCD Soundsystem.
4. “World’s Entire” — Kay Kay and His Weathered Underground. I’ve often wondered what “Pet Sounds” would sound like if Brian Wilson grew up now.
5. “Everything Must Spin” — Ryan Driver. Including your head, when you hear this dizzying acoustic track.
 
  • Currently 3.5/5 Stars.
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