Thursday 31 Jul
 
 
CD reviews

Power Pyramid - The God Drums

Power Pyramid doesn’t have much patience for nonsense. That appears to be the takeaway from the Oklahoma City quintet’s last 10 months, which brought The God Drums in September, the Insomnia EP in January and its latest, self-titled effort in July.

07/29/2014 | Comments 0

TJ Mayes - "When Love Comes Down"

’50s era rock ’n’ roll had been long overdue for a rebirth. Thankfully, the stockpile of capable luminaries has not been in short supply over the past few years. 

07/23/2014 | Comments 0

Boare - "playdatshit"

The world is in the midst of an electronic music renaissance, and you find most of this boon of producers laying claim to the club-friendly, bass-dropping variety, holing up in the the free-flowing world of hip-hop beatmaking or pitching their tent on the out-there, boundary-pushing EDM camp.
07/23/2014 | Comments 0

Broncho - "Class Historian"

Broncho has never been hurting in the hook department. The success of the trio’s 2011 debut, Can’t Get Past the Lips, was predicated mostly on its ability to marry melodies with kinetic guitar riffs and anarchic energy. Yet we’ve heard nothing to the degree of pure pop catchiness on display in “Class Historian,” the new single from Broncho’s upcoming sophomore album, Just Enough Hip to Be Woman.
07/23/2014 | Comments 0

Manmade Objects - Monuments

No one wants to be forgotten; everyone wants some sort of legacy, a mark they leave behind as they exit this life for whatever lies beyond.

And for as long as there has been death, there have been monuments — whether austere or understated, abstract or concrete, prominent or tucked away in private — erected by the ones they loved to assure that remembrance, at least for a time.
07/15/2014 | Comments 0
 

A little metro music


Releases in short from around the area

By Stephen Carradini June 16th, 2011
uglysuitawwshucks

OKC’s defunct indie heroes The Uglysuit released their long-awaited final LP Tuesday. “Awwww, Shucks” is available via iTunes and eMusic, with streaming listening on Bandcamp. Read more about the band’s last hurrah here.



It’s a daunting task to take on a whole album of Jimi Hendrix tunes, but OKC blues/rock guitarist Phil Brown has done just that with “The Jimi Project.” The 12-song album collects faithful renditions of well-known cuts (“Voodoo Child,” “Are You Experienced?”) and lesser-known tunes (“Manic Depression,” “One Rainy Wish”), while Brown’s soulful vocals put a bit of a different spin on the tunes. Catch him as leader of the Phil Brown Trio from 7-8:30 p.m. Sunday as part of the 2011 Devon Energy Sunday Twilight Concert Series (wow, that’s a mouthful) on the Grand Lawn of the Myriad Botanical Gardens.

Normanite Two Suns, whose self-titled EP recently got some Gazette ink, has released two tracks from his July 11 EP, “Self-Addressed.” His artsy electronic pop is infused with a bit more muscle and confidence, showing that Two Suns could have some high highs if he keeps pursuing this growth.




Max Ridgway, longtime instructor of guitar at Northwestern Oklahoma State University, recently released “A Little Night Music,” an eight-track affair of originals and covers. The collection opens with “BB Blues” by Larry Coryell, who will headline next Friday’s second night of the Jazz in June festival in Norman. The pleasing collection of jazz, blues and rock includes versions of Bill Withers’ “Ain’t No Sunshine” and The Beatles’ “Come Together” and “Help!” The latter Lennon/McCartney tune is heavily modified in a gravelly blues style, while the former is relatively unchanged. The originals show a strong sense of melody, and should be of interest to both blues and jazz fans.

Fans of the Zac Brown Band’s country/Southern rock/pop amalgam should snap up the self-titled album from Dead Man’s Bluff. Their most notable songs are more aggressive than the melodic pop version of country that’s currently dominating the radio (“The Line,” “What You Did”), but the band also can lighten up and have fun musically (“This Song,” “Better Luck,” “Oklahoma Blues”). The lyrics stay pretty downtrodden, however, which is a downside. —Stephen Carradini
 
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