It has been a relatively rocky road for Weatherford alt-country outfit Green Corn Revival, which has seen its share of highs (acting as backing band for rockabilly icon Wanda Jackson) and lows before an (amicable) split in the road led half of the original lineup to forming Honeylark.
Oklahoma is quickly becoming the indie Christmas music capital of the world, it seems, with yearly compilation albums featuring everyone from Stardeath and White Dwarfs to Graham Colton. So it makes sense that Colourmusic — freak-poppers hailing from Stillwater — would craft a full album of original, offbeat holiday tunes themselves.
The Oklahoma City metro has a thriving garage rock scene. With seasoned acts like Broncho and Copperheads carrying the modern-day torch, the way has been paved for a flock of gritty, young, guitar-centric acts. But nascent Norman trio Poolboy has a knack for riotous hooks that few of its contemporaries can boast.
The Flaming Lips’ longevity has allowed them to cover a lot of sonic terrain over the years. Yet they’ve arguably become more adventurous with age, jeopardizing a good portion of their fan base in favor of fascinatingly bleak experiments in sound, beginning with Embryonic in 2009 and, more recently, The Terror.
But not really. Name’s Matt. Stephen’s off to graduate school on full scholarship, so I’m the new blogger ‘round these here parts.
Quick hits: Leo. Favorite non-Flaming Lips local band is Colourmusic. I know the lyrics to“Yankee Hotel Foxtrot” back-to-front. Random fun fact: My brother is on a first-name basis with Dan Marino. I’m still looking to replace a big LCD Soundsystem-shaped hole in my heart. Taylor Swift’s first and second albums have been known to rattle the speakers in the privacy of my car, on occasion. Big supporter of dance rock.
Underrated: The Drive-By Truckers’ “Brighter Than Creation’s Dark”, dance rock in general, post-“Girls Can Tell” Spoon, Lost in the Trees, and the Rolling Stones’ “Some Girls.”
Overrated: Passion Pit, Animal Collective, My Morning Jacket’s “Z,” and probably James Blake, too, but you’d have to put a gun to my head to make me admit it. Also, everything U2's recorded since “The Joshua Tree”. Though let it be known that “The Joshua Tree” is so unbelievably good that you can’t possibly overstate how good it is.
Let’s get on with the vids, then.
Broncho rapidly ascended to the near-top of my fictional All-Okie Festival bill when I bought their debut album a few months back. Caught them at the Soundpony in Tulsa a little while ago and, sure enough, the Internet warlocks at Delo Creative were there with a butt-ton of camera equipment in tow. I think I speak for the entirety of this state when I say these guys are gonna make it big. And soon:
Novak Djokovic’s appearance in this hilarious video probably had at least a little something to do with his recent #1 ATP ranking:
Freaky, psychedelic, synthy chicks glow in the dark:
Like Stephen, I’m a proud Tulsa native and, save for Hanson, nobody’s name’s better-recognized in Tulsa than Jacob Fred Jazz Odyssey. Their new “Race Riot Suite” received standing ovations at the Tulsa PAC last month:
Not unlike most of the planet, I really didn’t care much for Radiohead’s latest. I do, however, dig Nigel Godrich’s intimate “From the Basement” series and this frenetic, dual-drummer performance of “Staircase” is intense:
Everything about Mastodon is massively awesome right now. Album art, track titles, and this puppet-stomping video for “Deathbound”: