With his good looks, Liev Schreiber (TV's Ray Donovan) seems born to play an astronaut. In Magnet Releasing's The Last Days on Mars, he finally gets the chance. As chief systems officer Vincent Campbell, he's part of Aurora's six-month mission on the red planet with only 19 hours left to go before heading home. What could go wrong?
According to The Slumber Party Massacre, young women love to have group sleepovers so fun that the girls don't have the good sense to leave the house when their party is crashed by the arrival of a drill-wielding serial killer.
We vilify people for bad behavior in real life, yet celebrate it in our entertainment, particularly on the small screen. When the results are as strong as the current crop, all new (or new-ish) to DVD and/or Blu-ray, why question the disconnect?
Prior to his Spider-Man trilogy, director Sam Raimi cut his superhero-movie teeth on 1990's Darkman, a character of his own creation. Although it's clearly not the most polished of his works, the summer sleeper plays even better as the years tick by. Look no further than Shout! Factory's colorful re-release on Blu-ray.
Someday, celebrity cyclist Lance Armstrong may regret hiring Oscar-winning director Alex Gibney to document his 2009 "comeback," but I doubt it. As The Armstrong Lie demonstrates time and again for two mostly gripping hours, the athlete is still unable to tell the whole truth and nothing but.
With the blogosphere erupting over the Kanye West/Jay-Z joint (do we call them “albums” anymore?), Kid Cudi couldn’t have picked a worse time to release his video for “No One Believes Me.”
Actually, it’s not his fault: It’s the “official” music vid for DreamWorks’ remake of “Fright Night,” which opens Friday. I’m under one of those dreaded review embargoes, so I can’t tell you until Friday whether I think the Colin Farrell/Anton Yelchin starrer falls short of the 1985 horror-comedy classic; or whether I think its 3-D effects are needless; or whether I think Imogen Poots (despite her flatulent name) is way, way, way hotter than Amanda Bearse.
In the meantime, Kid Cudi! As with the film, the lushly orchestrated clip is directed by Craig Gillespie (“Lars and the Real Girl”) and looks to take place on the same set. Its dark tone is right in line with the picture, and it’s nice to see what it essentially “just” a tie-in have merit on its own. —Rod Lott