Sunday 19 May
 
 
DVD reviews

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0

Texas Chainsaw

One of the most inconsistent franchises in movie history is the one beget by Tobe Hooper's 1974 classic, The Texas Chain Saw Massacre. How does one follow all those less-than-beloved sequels? Lionsgate's latest in the series — the seventh — has a solution: Ignore 'em.
05/17/2013 | Comments 0

Captain America: Collector’s Edition

Not long after Batman changed Hollywood in the summer of 1989, every studio wanted to have the next comics-based blockbuster. I remember visiting Penn Square Mall’s multiplex (as I did often back then) and seeing a poster for Captain America. The one-sheet was comprised of little more than a close-up of Cap’s iconic shield and a promise to arrive next summer.
05/16/2013 | Comments 0

Dark Circles

With the Broken Lizard comedy troupe becoming increasingly broken, member Paul Soter has branched off to write and direct something about as far away as one can get from the likes of Super Troopers and Beerfest: a horror film. Now that I've seen it, I'm thinking maybe he should stay on his own.
05/16/2013 | Comments 0

Die! Die! My Darling!

File 1965's Die! Die! My Darling! under that now-dead subgenre dubbed "Grande Dame Guignol." The Hammer Films production may lack the dueling duo of two twilight-era titans of Whatever Happened to Baby Jane? and the others, but truth be told, Tallulah Bankhead is fierce enough to provide all the fire it needs.
05/14/2013 | Comments 0

King of pain


TCM debuts an early Halloween treat.

By Rod Lott September 22nd, 2011
horrorsstephenking
Being a horror nut, October is my favorite month of the year. I can think of no better way for America to get in the macabre mood than catching, "A Night at the Movies: The Horrors of Stephen King." The brand-new special premieres Oct. 3 on Turner Classic Movies.

As the title suggests, it's an hour-long sit-down with our modern-day Edgar Allan Poe as he talks about his lifelong love affairs with scary movies, supplemented with clips and stills. The first one to freak him out? "Bambi." The one he was too frightened to finish upon an initial viewing? "The Blair Witch Project." His desert-island disc? Well, I'll leave that for you to discover.

Other shared memories include — but are in no way limited to — "Dementia 13," "Night of the Living Dead," "Freaks," "Cat People," "The Tingler," "The Changeling," "The Amityville Horror," "Near Dark," "Rosemary's Baby," "The Omen," "The Fly," "Jaws," "The Haunting" and the trio he calls the real "demon coasters" of fear: "Psycho," "The Exorcist" and "The Texas Chain Saw Massacre."

The most interesting segment has him discussing some of the movies made from his novels and short stories. He loves "Carrie" and "Cujo," but famously finds Stanley Kubrick's "The Shining" to be "extremely cold." He's also quite enamored of "The Dead Zone," calling David Cronenberg "the best horror director of modern times." Too bad time doesn't allow him to run through them all.

Along the way, he makes some interesting, surprising comments, such as not caring for werewolf movies ("too literal"), Bela Lugosi's Dracula ("he looks like a whacked-out concert pianist") and the slasher genre ("misogynist"). If you're a fan of King or celluloid terror in general, do set your TiVo. If you care to turn it into a pre-Halloween party, here's your drinking game: Take a shot every time he says "absolutely terrifying." Your liver will hate you and let you know it. —Rod Lott

 
  • Currently 3.5/5 Stars.
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