Friday 24 May
 
 
DVD reviews

The Burning

It speaks to the strength of The Burning’s reputation among cult-film fans that what’s most memorable about the 1981 slasher is not that it was written by the Weinstein brothers, nor that it represents early appearances of the likes of Jason Alexander, Holly Hunter and Fisher Stevens. It’s that its Cropsy is just a damned good villain.
05/24/2013 | Comments 0

Dexter: The Seventh Season

There's no way to discuss the seventh and penultimate season of Showtime's hit Dexter without acknowledging how the previous year ended. Therefore, if you haven't finished the sixth season, stop reading now. You've got work to do.
05/21/2013 | Comments 0

Nightfall

As Simon Lam gets older, he gets better. The veteran actor has appeared in such in seminal HK action films of the 1990s as Once Upon a Time in China (opposite Jet Li) and Bullet in the Head (directed by John Woo); in the aughts, he graced audience and critical favorites Election and Ip Man.
05/20/2013 | Comments 0

Grand Duel

Lee Van Cleef enjoyed a secondary career in Italy cranking out spaghetti Westerns, with little regard to quality. However, 1972’s Grand Duel — aka The Big Showdown — is deserving of its Grand label. No wonder Quentin Tarantino borrowed its sweeping theme song by Luis Bacalov for Kill Bill; you'll recognize it in two notes.
05/20/2013 | Comments 0

The Last Stand

Early in The Last Stand, the small-town sheriff played by Arnold Schwarzenegger says, "It's my day off. Should be a quiet weekend." That's the new way of saying, "I've got one week to retirement," because it signals — with flashing neon and everything — that life is going to royally upend those plans.
05/17/2013 | Comments 0

Fantastic Fest: 'Comin' at Ya!'


Came at me, finally.

By Rod Lott September 26th, 2011

I've literally waited 30 years to catch "Comin' at Ya!," a 3-D spaghetti Western whose R rating in 1981 made it impossible for the 10-year-old me to see in theaters. I'm kind of glad I didn't see it then or on home video, because seeing it at the Alamo in a brand-new, digitally restored cut has to be the best way.

With a minimum of dialogue — some 70 lines, according to actor/producer Tony Anthony — the action/adventure plays out a simple, standard revenge story of a guy (Anthony, "Treasure of the Four Crowns") searching for his kidnapped wife (Victoria Abril, "Tie Me Up! Tie Me Down!") amid the Old West. None of that matters compared to the best use of 3-D in cinema history, because every shot was designed specifically to break that fourth wall. So many things go right into the audience's collective face: bats, snakes, guns, flaming arrows, even a baby's bottom!

It would've made for one of the most memorable theatrical experiences of my life, if not for the bonehead who sat directly next to me. Before a frame even had flickered, he was extremely demanding to the waitress who hadn't yet had a chance to screw up. He then plopped back into the seat and stuck his elbow well into my side and left it there. He also burped openly, exhaled it, and not just once, but all through the next two hours. He slurped up two large Cokes before the opening credits were finished, licked the plastic container of his salad dressing clean, chewed pizza as if it were his last meal, laughed so loud it sounded forced, and generally acted as if he were alone in his living room.

Sadly, this behavior was not limited to this screening. All of the films I caught were rife with people like this, just not all wrapped into one miserable person. You'd think a film festival would attract people respectful, if not wholly reverent, of the filmgoing experience, but no. I guess these socially awkward ones don't get out much. As my friend who's attended many FFs since its inception said, "I'm completely over the whole audience. They've turned me off the whole thing. Way different than it was in the early days."

But again, "Comin' at Ya!": A re-release of the film is coming soon, starting in Texas, so hopefully Oklahoma City will be on its to-wow list. If so, you gotta go freak out your retinas. —Rod Lott

 
  • Currently 3.5/5 Stars.
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