Tuesday 21 May
 
 
CD reviews

Various artists — Never Give Up: Celebrating 10 Years of The Postal Service

Few indie bands have had the impact on current music that The Postal Service has. Even fewer have done so with only one album.
05/15/2013 | Comments 0

Big Worm — Bench All-Stars

Fans of the comedy classic Friday may recognize the name Big Worm, but the Big Worm behind Bench All-Stars is rooted not in South Central L.A., but on the streets of Oklahoma City.
05/08/2013 | Comments 0

Code 22 — Going Soft: The Acoustic Album!

The guys of Oklahoma City’s Code 22 seem like a likable group of fellas. Their latest release, Going Soft: The Acoustic Album!, is likable enough as well — so likable that on first listen, I took its clean, acoustic sound and clear, unstressed vocals as an alternative praise-and-worship band.
05/08/2013 | Comments 0

Eureeka — Polysynthetic Fields

It’s always refreshing to hear music that embraces its own eccentricity, yet presents it in an accessible and meek fashion. Eureeka — the Norman-based duo of Jordan Vargas and Devin Wahl — has tapped into this rarified air on its self-released EP, Polysynthetic Fields.
05/08/2013 | Comments 0

Tom Skinner — Tom Skinner

Sincerity is nearly dead in songwriting. The image of the earnest singer with eyes tightly shut and a crack in his voice as he plunges to emotional depths has become a joke.
05/08/2013 | Comments 0

VOTD: ‘Fat Man’ in a little video


Song not autobiographical.

By Matt Carney January 12th, 2012

John Fullbright’s one of Oklahoma’s finest songwriters and one of our most disciplined students of Woody Guthrie’s school of often-critical, politically and socially conscious lyrics. And he’s not half-bad at tickling the ivories, either.

Fullbright recently performed “Fat Man,” about a selfish prig who “plucks life like a rose,” at the annual Cherokee Creek Music Festival in Cherokee, Texas, where it was filmed by Americana enthusiasts Music Fog:



Neon Indian — “Hex Girlfriend”

Here’s the earlier-promised video of Neon Indian performing at the second night of The Flaming Lips’ New Year’s Eve Freakout, shot by Nathan Poppe and myself. Alan Palomo shows off some serious confidence with those dance moves:



Colin Stetson — “Those Who Didn’t Run”
2011 was Colin Stetson’s year, releasing a lauded album of dystopian saxophone innovations that landed just outside of OKSee’s Top 10. If you can watch the 10 surrealistic minutes of nature shots that comprise “Those Who Didn’t Run” without losing focus, then you are a champion:



POLIÇA — “Lay Your Cards Out”
Once a folk singer up north, Channy Leaneagh (formerly Casselle) met up with Bon Iver collaborator Mike Noyce when she joined up with Wisconsin stoner soft-rockers Gayngs. The result is the avant, Auto-Tuned POLIÇA, and it kinda makes me wish she’d have stuck with more natural-sounding ways of making music. But, to each his own:



“Shut Up and Play the Hits”

If such a thing as a “perfect band” existed, or at least a band that acted exactly as it should, LCD Soundsystem was that band. Dylan Southern and Will Lovelace shot a film following front man James Murphy during his last couple days of LCD’s band-ship, which included a Last Show Ever for the record books. If the trailer’s any indicator, it looks fantastic:



 
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